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Результаты поиска Лучшие результаты Vaneet Sethi. Portrayal Of Sikhism In Hindi Movies. – М.: LAP Lambert Academic Publishing, 2012. – 96 с. Pia Tikka. Enactive Cinema. – М.: LAP Lambert Academic Publishing, 2010. – 352 с. Дополнительные результаты Digital Disruption: Cinema Moves On-line. – М.: , 2012. – 234 с. Corey K. Creekmur, Mark Sidel. Cinema, Law, and the State in Asia. – М.: , 2007. – 252 с. Julie Codell. Genre, Gender, Race, and World Cinema. – М.: , 2006. – 496 с. Allan Cameron. Modular Narratives in Contemporary Cinema. – М.: , 2008. – 232 с. Derek Mckiernan. Cinema and Community. – М.: , 2008. – 256 с. China Forever: The Shaw Brothers and Diasporic Cinema (Pop Culture and Politics Asia PA). – М.: , 2008. – 280 с. R. Roselender. Marketing and Management Interfaces in the Enactment of Strategic Management Accounting Pr. – М.: , 2010. – 134 с. Esther C. M. Yau. At Full Speed: Hong Kong Cinema in a Borderless World. – М.: University of Minnesota Press, 2001. – 342 с. Anthony Aldgate and Jeffrey Richards. Britain Can Take It: The British Cinema in the Second World War, New Edition. – М.: I. B. Tauris, 2008. – 376 с. Glenn Kennel. Color and Mastering for Digital Cinema. – М.: , 2010. – 208 с. Arndt von Koenigsmarck. Cinema 4D 11 Workshop. – М.: Focal Press, 2010. – 336 с. Kurt Lancaster. DSLR Cinema. – М.: , 2010. – 304 с. Paul Henley. The Adventure of the Real – Jean Rouch and the Craft of Ethnographic Cinema. – М.: , 2010. – 536 с. Paul Henley. The Adventure of the Real – Jean Rouch and the Craft of Ethnographic Cinema. – М.: , 2010. – 536 с. Paul Shepheard. A Companion to Chinese Cinema. – М.: , 2003. – 248 с. Mick Broderick. Hibakusha Cinema – Hiroshima, Nagasaki & the Nuclear Image in Japanese Film. – М.: , 1996. – 268 с. David A. Kirby. Lab Coats in Hollywood – Science, Scientists, and Cinema. – М.: , 2011. – 264 с. Horton. Comedy Cinema Theory (Paper). – М.: , 1992. – 0 с. Kwiterovich. Shivers Down Your Spine – Cinema and the History of the Immersive View. – М.: , 1989. – 400 с. Alison Griffiths. Shivers Down Your Spine – Cinema and the History of the Immersive View. – М.: , 2008. – 448 с. Lawrence. Echo & Narcissus – Womens Voices in Classical Hollywood Cinema. – М.: , 1992. – 0 с. Thomas Doherty. Pre–Code Hollywood – Sex, Immorality, & Insurrection in American Cinema 1930–1934 (Paper). – М.: , 1999. – 446 с. Murray Pomerance. Michelangelo Red Antonioni Blue – Eight Reflections on Cinema. – М.: , 2011. – 304 с. Scott Macdonald. Adventures of Perception – Cinema as Exploration Essays/Interviews. – М.: , 2009. – 416 с. Jim Hillier. Cahiers Du Cinema – The 1950s Neo Realism Hollywood New Wave V 1. – М.: , 1985. – 320 с. Jim Hillier. Cahiers Du Cinema – The 1950s Neo Realism Hollywood New Wave V 1 (Paper). – М.: , 1985. – 320 с. Jim Hillier. Cahiers Du Cinema – The 1960S New Wave, New Cinema, Re–Evaluating Hollywood V 2. – М.: , 1990. – 368 с. N Browne. Cahiers Du Cinema 1969–1972. – М.: , 1990. – 384 с. Jim Hillier. Cahiers Du Cinema – The 1960s New Wave, New Cinema, Re–Evaluating Hollywood V 2 (Paper). – М.: , 1992. – 384 с. S Craig Watkins. Representing – Hip Hop Culture & the Production of Black Cinema (Paper). – М.: , 1999. – 329 с. Paola Marrati. Gilles Deleuze – Cinema and Philosophy. – М.: , 2008. – 144 с. Barbara Klinger. Beyond the Multiplex – Cinema, New Technologies, and the Home. – М.: , 2006. – 312 с. Bill Nichols. Engaging Cinema – An Introduction to Film Studies. – М.: , 2010. – 0 с. Jonathan Rosenbaum. Goodbye Cinema, Hello Cinephilia – Film Culture in Transition. – М.: , 2010. – 376 с. Jonathan Rosenbaum. Goodbye Cinema, Hello Cinephilia – Film Culture in Transition. – М.: , 2010. – 376 с. Mamber. Cinema Verite in America. – М.: , 2004. – 0 с. Scott Macdonald. A Critical Cinema 5 – Interviews with Independent Filmmakers. – М.: , 2006. – 448 с. Scott Macdonald. A Critical Cinema 5 – Interviews with Independent Filmmakers. – М.: , 2006. – 448 с. J Staiger. Interpreting Films – Studies in the Historical Reception of American Cinema (Paper). – М.: , 1992. – 0 с. Naremore. Acting in the Cinema (Paper). – М.: , 1992. – 0 с. Andras Balint Kovacs. Screening Modernism – European Art Cinema 1950 – 1980. – М.: , 2008. – 432 с. Scott Macdonald. Adventures of Perception – Cinema as Exploration Essays/Interviews. – М.: , 2009. – 416 с. Yurt Tsivian. Early Cinema in Russia & It?s Cultural Reception. – М.: , 1998. – 292 с. Michel Chion. The Voice in Cinema (paper). – М.: , 1999. – 200 с. Dudley Andrew. What Cinema Is!. – М.: , 2010. – 184 с. Johannes Von Moltke. No Place Like Home – Locations of Heimat in German Cinema. – М.: , 2005. – 315 с. Jeffrey Shaw. Future Cinema – The Cinematic Imaginary After Film. – М.: , 2003. – 600 с. Eileen Bowser. The Transformation of Cinema, 1907–1915. – М.: , 1994. – 352 с. Charles Musser. The Emergence of Cinema – The American Screen to 1907. – М.: , 1994. – 635 с. Slavin. Colonial Cinema and Imperial France 1919–1939. – М.: , 2001. – 320 с. Lev Manovich. Soft Cinema – Navigating the Database DVD. – М.: , 2005. – 0 с. Noah Isenberg. Weimar Cinema – An Essential Guide to Classic Films of the Era. – М.: , 2009. – 368 с. Noah Isenberg. Weimar Cinema – An Essential Guide to Classic Films of the Era. – М.: , 2009. – 368 с. Richard Abel. The Red Rooster Scare – Making Cinema American 1900 – 1910 (Paper). – М.: , 1999. – 322 с. Jonathan Rosenbaum. Essential Cinema – On the Necessity of Film Canons. – М.: , 2008. – 480 с. Rey Chow. Primitive Passions – Visuality, Sexuality, Ethnography & Contemporary Chinese Cinema (Paper). – М.: , 1995. – 268 с. Nwachukwu Frank Ukadike. Black African Cinema (Paper). – М.: , 1994. – 382 с. David E James. The Most Typical Avant–Garde – History and Geography of Minor Cinemas in Los Angeles. – М.: , 2005. – 540 с. Scott Macdonald. A Critical Cinema 4 – Interview with Independent Filmmakers. – М.: , 2004. – 394 с. Andre Bazin. What is Cinema? V 1 Revised edition. – М.: , 2004. – 208 с. Andre Bazin. What is Cinema? V 2 Revised edition. – М.: , 2004. – 240 с. G BENDAZZI. Bendazzi: Cartoons: One Hundred Years Of Cinema Animation (cloth). – М.: , 1995. – 434 с. Gian Piero Brunetta. The History of Italian Cinema – A Guide to Italian Film from its Origins to the Twenty–First Century. – М.: , 2009. – 368 с. Gian Piero Brunetta. The History of Italian Cinema – A Guide to Italian Film from Its Origins to the Twenty–First Century. – М.: , 2011. – 368 с. Vanessa R Schwartz. Cinema & the Invention of Modern Life (Paper). – М.: , 1996. – 418 с. Tatjana Pavlovic. 100 Years of Spanish Cinema. – М.: , 1973. – 0 с. Sylvia Hurtado. Enacting Diverse Learning Environments. – М.: , 1998. – 148 с. A Lowenstein. Shocking Representation – Historical Trauma, National Cinema, and the Modern Horror Film. – М.: , 1978. – 0 с. Explorations in New Cinema History. – М.: , 2011. – 344 с. Explorations in New Cinema History. – М.: , 2011. – 344 с. John Orr. Cinema and Modernity. – М.: , 1993. – 240 с. B MICHALEK. Michalek: The Modern Cinema Of Poland (paper). – М.: , 1988. – 224 с. Zhen Zhang. An Amorous History of the Silver Screen – Shanghai Cinema, 1896–1937. – М.: , 2006. – 456 с. D J GOULDING. Goulding: Post New Wave Cinema In The Soviet Union & Eastern Europe (paper). – М.: , 1989. – 352 с. D Desser. Eros Plus Massacre – An Introduction to Japanese New Wave Cinema (Paper). – М.: , 1988. – 250 с. David Bordwell. The Cinema of Eisenstein. – М.: , 1993. – 334 с. Lingzhen Wang. Chinese Women?s Cinema – Transnational Contexts. – М.: , 2011. – 384 с. Lingzhen Wang. Chinese Women?s Cinema – Transnational Contexts. – М.: , 2011. – 384 с. David Bordwell. The Cinema of Eisenstein (Paper). – М.: , 1993. – 334 с. K Silverman. Acoustic Mirror – The Female Voice in Psychoanalysis & Cinema (Paper). – М.: , 1988. – 268 с. Preben Kaarsholm. City Flicks – Indian Cinema and the Urban Experience. – М.: , 2006. – 288 с. A Nolletti. Reframing Japanese Cinema. – М.: , 1992. – 384 с. Janet Walker. Trauma Cinema – Documenting Incest and the Holocaust. – М.: , 2005. – 256 с. Janet Walker. Trauma Cinema – Documenting Incest and the Holocaust. – М.: , 2005. – 256 с. Antoine De Baecque. Camera History – The Century in Cinema. – М.: , 2011. – 448 с. Eric Patashnik. Reforms at Risk – What Happens After Major Policy Changes are Enacted. – М.: , 2008. – 248 с. Elisabeth Bronfen. Home in Hollywood – The Imaginary Geography of Cinema. – М.: , 2004. – 352 с. Jon Solomon. The Ancient World in the Cinema Rev & Exp Ed. – М.: , 2001. – 0 с. B MICHALEK. Michalek: The Modern Cinema Of Poland (cloth). – М.: , 1988. – 224 с. Edwin Heathcote. Cinema Builders. – М.: , 2001. – 224 с. Jonathan Rosenbaum. Essential Cinema – On the Necessity of Film Canons. – М.: , 2004. – 504 с. F R JAMESON. Jameson: The Geopolitical Aesthetic: Cinema & Space In The World System. – М.: , 1995. – 244 с. G BENDAZZI. Bendazzi: Cartoons: One Hundred Years Of Cinema Animation (paper). – М.: , 1995. – 434 с. R.–j Berg. A la Rencontre du Cinema Francais – Analyse, genre, histoire. – М.: , 2010. – 336 с. W Dissanayake. Colonialism & Nationalism in Asian Cinema (Paper). – М.: , 1994. – 368 с. David Bordwell. Planet Hong Kong – Popular Cinema & the Art of Entertainment. – М.: , 2000. – 340 с. David Bordwell. Planet Hong Kong – Popular Cinema & the Art of Entertainment. – М.: , 2000. – 340 с. David Macdougall. Transcultural Cinema (Paper). – М.: , 1999. – 328 с. E Ehrlich. Cinema of Paradox. – М.: , 1985. – 235 с. Jorg Schweinitz. Film and Stereotype – A Challenge for Cinema and Theory. – М.: , 2011. – 320 с. Jorg Schweinitz. Film and Stereotype – A Challenge for Cinema and Theory. – М.: , 2011. – 320 с. L Pietropaolo. Feminisms in the Cinema (Paper). – М.: , 1995. – 248 с. Marsha Kinder. Blood Cinema – The Reconstruction of National Identity in Spain (Paper). – М.: , 1993. – 566 с. Goodwin. Akira Kurosawa and Intertextual Cinema. – М.: , 1993. – 0 с. Goodwin. Akira Kurosawa and Intertextual Cinema. – М.: , 1993. – 280 с. Hamid Naficy. An Accented Cinema – Exilic & Diasporic Filmmaking. – М.: , 2001. – 390 с. Haidee Wasson. Museum Movies – The Museum of Modern Art and the Birth of Art Cinema. – М.: , 2005. – 336 с. Juhani Pallasmas. The Architecture of Image – Existential Space in Cinema. – М.: , 1999. – 128 с. C Crisp. Classic French Cinema, 1930–1960. – М.: , 1994. – 516 с. Thinking Through Cinema. – М.: , 2006. – 200 с. Andrew Horton. The Films of Theo Angelopoulos – A Cinema of Contemplation (Paper). – М.: , 1999. – 252 с. Caryl Flinn. The New German Cinema – Music, History, and the Matter of Style. – М.: , 2003. – 352 с. Stephen Prince. The Warrior?s Camera – The Cinema of Akira Kurosawa Revised & Expanded Edition. – М.: , 1999. – 440 с. S Heath. Questions of Cinema (Paper only). – М.: , 1982. – 266 с. Scott Macdonald. Canyon Cinema – The Life and Times of an Independent Film Distributor. – М.: , 2008. – 416 с. DEPARTMENT. Department: Latin American Cinema–j. – М.: , 1995. – 0 с. NF Ukadike. New Discourses of African Cinema – Iris Number 18 Spring 1995 (Paper only). – М.: , 1995. – 176 с. Dan Streible. Fight Pictures – A History of Boxing and Early Cinema. – М.: , 2008. – 352 с. Scott Macdonald. Canyon Cinema – The Life and Times of an Independent Film Distributor. – М.: , 2008. – 416 с. Keya Ganguly. Cinema, Emergence and the Films of Satyajit Ray. – М.: , 2010. – 248 с. Keya Ganguly. Cinema, Emergence and the Films of Satyajit Ray. – М.: , 2010. – 248 с. Daniel Goldmark. Beyond the Soundtrack – Represneting Music in Cinema. – М.: , 2007. – 304 с. Thomas J. Saunders. Hollywood in Berlin – American Cinema & Weimar Germany. – М.: , 1994. – 342 с. J Mayne. Woman at the Keyhole – Feminism & Women?s Cinema. – М.: , 1990. – 270 с. Michael Grover–friedlan. Vocal Apparitions – The Attraction of Cinema to Opera. – М.: , 2005. – 216 с. Garrett Stewart. Framed Time Toward a Postfilmic Cinema. – М.: , 2007. – 320 с. Chris Berry. China on Screen – Cinema and Nation. – М.: , 2006. – 352 с. Chris Berry. China on Screen – Cinema and Nation. – М.: , 2006. – 352 с. Caryl Flinn. The New German Cinema – Music, History, and the Matter of Style. – М.: , 2004. – 352 с. D Desser. Eros Plus Massacre – An Introduction to Japanese New Wave Cinema. – М.: , 1988. – 0 с. Sean Cubitt. The Cinema Effect. – М.: , 2005. – 464 с. Sean Cubitt. The Cinema Effect. – М.: , 2004. – 464 с. Jonathan Auerbach. Body Shots – Early Cinema?s Incarnations. – М.: , 2007. – 208 с. Thomas Schatz. Boom & Bust – American Cinema in the 1940s. – М.: , 1999. – 586 с. Mette Hjort. The Danish Directors 2 – Dialogues on the New Danish Fiction Cinema. – М.: , 2011. – 224 с. Maeve Connolly. The Place of Artists? Cinema – Space, Site, and Screen. – М.: , 2009. – 240 с. Elisabetta Girelli. Beauty and the Beast – Italianness in British Cinema. – М.: , 2011. – 240 с. K Silverman. Acoustic Mirror – The Female Voice in Psychoanalysis & Cinema. – М.: , 1988. – 268 с. J Walters. Alternative Worlds in Hollywood Cinema. – М.: , 2009. – 224 с. Pia Tikka. Enactive Cinema. – М.: LAP Lambert Academic Publishing, 2010. – 352 с.
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