Íàïèñàòü ðåôåðàòû, êóðñîâûå è äèïëîìû ñàìîñòîÿòåëüíî. Àíòèïëàãèàò.
Ñòóäåíòî÷êà.ru: íà ãëàâíóþ ñòðàíèöó. Íàïèñàòü ñàìîñòîÿòåëüíî ðåôåðàòû, êóðñîâûå, äèïëîìû â êðàò÷àéøèå ñðîêè
Ðåôåðàòû, êóðñîâûå, äèïëîìíûå ðàáîòû ñòóäåíòîâ: íàó÷èòüñÿ ïèñàòü ñàìîñòîÿòåëüíî.
Êîíòàêòû Îáðàçöû ðàáîò Áåñïëàòíûå ìàòåðèàëû
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Íàó÷èì ïèñàòü ðåôåðàòû, êóðñîâûå è äèïëîìû.


ïîäáîð ëèòåðàòóðû ïåðèîäè÷åñêèå èñòî÷íèêè ëèòåðàòóðà ïî ïðåäìåòó

Âîñïîëüçóéòåñü ôîðìîé ïîèñêà ïî ñàéòó, ÷òîáû ïîäîáðàòü ïîëíûé ñïèñîê èñïîëüçîâàííîé ëèòåðàòóðû.
Åñëè âû õîòèòå âûáðàòü äëÿ ñïèñêà ëèòåðàòóðû êíèãè îïðåäåëåííîãî ãîäà èçäàíèÿ, äîñòàòî÷íî äîïèñàòü åãî ê ïîèñêîâîìó çàïðîñó.

Ðåçóëüòàòû ïîèñêà

Ïîèñê ìàòåðèàëîâ

Áèáëèîãðàôèÿ Ïåðèîäèêà

Ëó÷øèå ðåçóëüòàòû

  1. Sara Rojas-Dotor. Efecto del FILM sobre la produccion de citocinas en linfocitos T CD4+: Efecto del anti-inflamatorio FILM sobre la produccion de citocinas (Spanish Edition). – Ì.: , 2012. – 76 ñ.
  2. Tom Zaniello. Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films About Labor. – Ì.: , 0. – 0 ñ.
  3. Larry Gross, John Stuart Katz, Jay Ruby. Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society). – Ì.: , 0. – 0 ñ.
  4. Tanja Crouch, Tanja L. Crouch. 100 Careers in Film and Television. – Ì.: , 0. – 0 ñ.
  5. Barbara Clark, Susan Spohr. Guide to Postproduction for TV and Film, Second Edition: Managing the Process. – Ì.: Focal Press, 2002. – 356 ñ.
  6. Colleen Striegel, Shaun O'L. Higgins. Movies for Leaders: Management Lessons from Four All-Time Great Films (Management Goes to the Movies). – Ì.: , 0. – 0 ñ.
  7. Philip Gillett. The British Working Class in Postwar Film. – Ì.: , 2003. – 0 ñ.
  8. John Bodnar. Blue-Collar Hollywood : Liberalism, Democracy, and Working People in American Film. – Ì.: , 2003. – 0 ñ.
  9. Christopher Null. Five Stars! How to Become a Film Critic, The World's Greatest Job. – Ì.: , 2005. – 256 ñ.
  10. Kerry Segrave. Product Placement in Hollywood Films: A History. – Ì.: McFarland & Company, 2004. – 250 ñ.
  11. Robert Koster. The Budget Book for Film and Television, Second Edition. – Ì.: Focal Press, 2004. – 340 ñ.
  12. A. Keller, Alexandra Keller. James Cameron (Routledge Film Guidebooks). – Ì.: , 2007. – 193 ñ.
  13. Carole Lee Dean. The Art of Film Funding: Alternative Financing Concepts. – Ì.: , 2007. – 280 ñ.
  14. Emma French. Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium. – Ì.: , 2006. – 224 ñ.
  15. Virginia Wright Wexman. History of Film, A (6th Edition) (History of Film). – Ì.: , 2005. – 504 ñ.
  16. David K. Irving, Peter W. Rea. Producing and Directing the Short Film and Video, Third Edition. – Ì.: , 2006. – 440 ñ.
  17. Encyclopedia of the Documentary Film, 3 Volume Set. – Ì.: , 2005. – 1968 ñ.
  18. Julie Maclusky. Is There Life After Film School?. – Ì.: , 2006. – 216 ñ.
  19. Emma Bell. Management, Organisations and Film: Management, Work and Organisations. – Ì.: , 2008. – 216 ñ.
  20. Randall Halle. German Film after Germany: Toward a Transnational Aesthetic. – Ì.: , 2008. – 256 ñ.
  21. Editors of the British Film Institute. Broadcasting & Telecomms. – Ì.: , 2008. – 0 ñ.
  22. Jamie Sexton. Alternative Film Culture in Inter-War Britain (UEP - Exeter Studies in Film History). – Ì.: , 2008. – 240 ñ.
  23. Alexander A. Ignatiev. Magnetoelectronics of Microwaves and Extremely High Frequencies in Ferrite Films. – Ì.: , 2009. – 392 ñ.
  24. Fred Yager. Career Opportunities in the Film Industry. – Ì.: , 2009. – 320 ñ.
  25. Paula Landry, Stephen R. Greenwald. This Business of Film: A Practical Guide to Achieving Success in the Film Industry. – Ì.: Lone Eagle Publishing Company, 2009. – 368 ñ.
  26. Caroline Wong. SINGAPOREAN FILM INDUSTRY IN TRANSITION:LOOKING FOR A CREATIVE EDGE: The nature and role of intangible resources that shape an uncertain and changing environment such as the film industry. – Ì.: , 2010. – 220 ñ.
  27. Bastian Cleve. Film Production Management. – Ì.: Focal Press, 2006. – 240 ñ.
  28. RICHARD GATES. Production Management for Film and Video. – Ì.: , 2010. – 167 ñ.
  29. Jeff Smith. The Sounds of Commerce – Marketing Popular Film Music (Paper). – Ì.: , 1998. – 300 ñ.
  30. Kenneth S. Rothwell. A History of Shakespeare on Screen : A Century of Film and Television. – Ì.: , 2004. – 398 ñ.
  31. Dave Knox. Strike the Baby and Kill the Blonde : An Insider's Guide to Film Slang. – Ì.: , 2005. – 224 ñ.
  32. Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – Ì.: , 2009. – 235 ñ.
  33. Mohamed Saad, Usama El-Behairy, Mahmoud Medany. Producing Snap Beans For Export Using Hydroponics Systems: Root-zone warming and air heating on snap bean plants grown in nutrient film technique system (NFT). – Ì.: , 2012. – 72 ñ.
  34. Eve Light Honthaner. The Complete Film Production Handbook (+ CD-ROM). – Ì.: Focal Press, 2001. – 536 ñ.
  35. Steven Katz. Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions). – Ì.: Michael Wiese Productions, 1991. – 325 ñ.
  36. Stephen Teo. Director in Action: Johnnie To and the Hong Kong Action Film. – Ì.: Hong Kong University Press, 2007. – 294 ñ.
  37. Repicturing the Second World War: Representations in Film and Television. – Ì.: Palgrave Macmillan, 2008. – 272 ñ.
  38. Cedric J. Robinson. Forgeries of Memory & Meaning: Blacks & the Regimes of Race in American Theater & Film before World War II. – Ì.: The University of North Carolina Press, 2007. – 446 ñ.
  39. Ronald R. Willey. Practical Design of Optical Thin Films. – Ì.: Willey Optical Consultants, 2007. – 260 ñ.
  40. Ronald R. Willey. Practical Production of Optical Thin Films. – Ì.: Willey Optical Consultants, 2008. – 432 ñ.
  41. Eve Light Honthaner. The Complete Film Production Handbook. – Ì.: Focal Press, 2010. – 552 ñ.
  42. Village Voice. The Village Voice Film Guide. – Ì.: , 2007. – 336 ñ.
  43. Maria del Mar Azcona. The Multi–Protagonist Film. – Ì.: , 2010. – 176 ñ.
  44. Rick Worland. The Horror Film. – Ì.: , 2006. – 336 ñ.
  45. Richard L. Bare. The Film Director. – Ì.: , 2000. – 274 ñ.
  46. Subba Ramaiah Kodigala. Cu(InGa)Se2 Based Thin Film Solar Cells. – Ì.: , 2010. – 350 ñ.
  47. Karel Reisz. Technique of Film Editing, Reissue of 2nd Edition. – Ì.: , 2010. – 368 ñ.
  48. Finola Kerrigan. Film Marketing. – Ì.: Elsevier Butterworth-Heinemann, 2010. – 280 ñ.
  49. Chennupati Jagadish. Zinc Oxide Bulk, Thin Films and Nanostructures. – Ì.: , 2010. – 600 ñ.
  50. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV. – Ì.: , 2010. – 200 ñ.
  51. Hilary Wyatt. Audio Post Production for Television and Film. – Ì.: , 2010. – 304 ñ.
  52. Zouheir Sekkat. Photoreactive Organic Thin Films. – Ì.: , 2010. – 559 ñ.
  53. Ken Dancyger. The Technique of Film and Video Editing. – Ì.: , 2010. – 520 ñ.
  54. George Cvjetnicanin. Film Into Video. – Ì.: , 2010. – 416 ñ.
  55. Jeffrey C. Ulin. The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World. – Ì.: Focal Press, 2010. – 528 ñ.
  56. Jay Rose. Producing Great Sound for Film and Video. – Ì.: , 2010. – 464 ñ.
  57. D. Dowson. Thinning Films and Tribological Interfaces,38. – Ì.: , 2010. – 856 ñ.
  58. Paul Read. Restoration of Motion Picture Film. – Ì.: , 2010. – 368 ñ.
  59. Robin Small. Production Safety for Film, Television and Video. – Ì.: , 2010. – 504 ñ.
  60. Abraham Ulman. An Introduction to Ultrathin Organic Films. – Ì.: , 2010. – 442 ñ.
  61. Tomlinson Holman. Sound for Film and Television (+ DVD-ROM). – Ì.: Ðèä Ýëñèâåð, Focal Press, 2010. – 264 ñ.
  62. Peter M. Martin. Handbook of Deposition Technologies for Films and Coatings. – Ì.: , 2010. – 936 ñ.
  63. Ken Dancyger. The Technique of Film and Video Editing. – Ì.: , 2010. – 512 ñ.
  64. Jan Musgrove. Make-Up, Hair and Costume for Film and Television. – Ì.: , 2010. – 208 ñ.
  65. Krishna Seshan. Handbook of Thin Film Deposition Processes and Techniques. – Ì.: , 2010. – 430 ñ.
  66. Peter W. Rea. Producing and Directing the Short Film and Video. – Ì.: , 2010. – 376 ñ.
  67. Ian Bernard. Film and Television Acting. – Ì.: , 2010. – 176 ñ.
  68. F. Petroff. Magnetic Ultra Thin Films, Multilayers and Surfaces,62. – Ì.: , 2010. – 0 ñ.
  69. D. Exerowa. Foam and Foam Films,5. – Ì.: , 2010. – 0 ñ.
  70. Richard Ferncase. Basic Lighting Worktext for Film and Video. – Ì.: , 2010. – 128 ñ.
  71. Steve Wright. Digital Compositing for Film and Video (+ DVD-ROM). – Ì.: Focal Press, 2010. – 512 ñ.
  72. Peter W. Rea, David K. Irving. Producing and Directing the Short Film and Video. – Ì.: Focal Press, 2010. – 432 ñ.
  73. Anthony Q. Artis. Documentary Film Producers' Bundle. – Ì.: , 2010. – 0 ñ.
  74. Nicholas Proferes. Film Directing Fundamentals. – Ì.: , 2010. – 336 ñ.
  75. Ruediger Grunwald. Thin Film Micro-Optics. – Ì.: , 2010. – 306 ñ.
  76. Charles Bishop. Vacuum Deposition onto Webs, Films, and Foils. – Ì.: , 2010. – 495 ñ.
  77. Jaime Fowler. Editing Digital Film. – Ì.: , 2010. – 192 ñ.
  78. Patricia Baker. Wigs and Make-up for Theatre, TV and Film. – Ì.: , 2010. – 286 ñ.
  79. Mick Hurbis-Cherrier. Voice and Vision: A Creative Approach to Narrative Film and DV Production. – Ì.: , 2010. – 560 ñ.
  80. Jack James. Digital Intermediates for Film and Video. – Ì.: , 2010. – 568 ñ.
  81. Christopher Nebel. Thin-Film Diamond I,76. – Ì.: , 2010. – 480 ñ.
  82. Dominic Case. Film Technology in Post Production. – Ì.: , 2010. – 224 ñ.
  83. Maurice H. Francombe. Advances in Research and Development: Plasma Sources for Thin Film Deposition and Etching,18. – Ì.: , 2010. – 328 ñ.
  84. M. Prudenziati. Thick Film Sensors,1. – Ì.: , 2010. – 0 ñ.
  85. Ken Dancyger. The Technique of Film and Video Editing. – Ì.: , 2010. – 512 ñ.
  86. Jay Rose. Audio Postproduction for Film and Video. – Ì.: , 2010. – 464 ñ.
  87. Leonid I. Trakhtenberg. Physico-Chemical Phenomena in Thin Films and at Solid Surfaces,34. – Ì.: , 2010. – 800 ñ.
  88. Stacey Parks. The Insider's Guide to Independent Film Distribution. – Ì.: , 2010. – 216 ñ.
  89. Alexander Vasil'evich Kho. Waveguide Spectroscopy of Thin Films,33. – Ì.: , 2010. – 236 ñ.
  90. Professor K.S. K.S Sree H. Principles of Vapor Deposition of Thin Films. – Ì.: , 2010. – 1176 ñ.
  91. Koji Kobashi. Diamond Films. – Ì.: , 2010. – 348 ñ.
  92. Roger Crittenden. Fine Cuts: The Art of European Film Editing. – Ì.: , 2010. – 416 ñ.
  93. Liesl K. Massey. Film Properties of Plastics and Elastomers. – Ì.: , 2010. – 225 ñ.
  94. V. M. Agranovich. Advances in Plasma-Grown Hydrogenated Films,30. – Ì.: , 2010. – 281 ñ.
  95. Hari Singh Nalwa. Handbook of Thin Films, Five-Volume Set,1-5. – Ì.: , 2010. – 3451 ñ.
  96. Milton Ohring. Materials Science of Thin Films. – Ì.: Academic Press, 2012. – 800 ñ.
  97. B. Equer. Thin Film Materials for Large Area Electronics,80. – Ì.: , 2010. – 0 ñ.
  98. Pat P. Miller. Script Supervising and Film Continuity. – Ì.: Focal Press, 1999. – 256 ñ.
  99. Steve Anchell. The Film Developing Cookbook. – Ì.: , 2010. – 176 ñ.
  100. Tony White. How to Make Animated Films: Tony White's Complete Masterclass on the Traditional Principals of Animation (+ DVD-ROM). – Ì.: Ðèä Ýëñèâåð, Focal Press, 2010. – 512 ñ.
  101. Lenore DeKoven. Changing Direction: A Practical Approach to Directing Actors in Film and Theatre. – Ì.: Focal Press, 2006. – 216 ñ.
  102. H.-C. Chang. Complex Wave Dynamics on Thin Films,14. – Ì.: , 2010. – 412 ñ.
  103. Tomlinson Holman. Sound for Film and Television. – Ì.: , 2010. – 368 ñ.
  104. Gerald Millerson. Lighting for TV and Film. – Ì.: , 2010. – 448 ñ.
  105. EDWARD DMYTRYK. On Film Editing. – Ì.: , 2010. – 148 ñ.
  106. John Burder. 16mm Film Cutting. – Ì.: , 2010. – 160 ñ.
  107. Dale Angell. Pro Tools for Film and Video . – Ì.: , 2010. – 288 ñ.
  108. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV {IM}. – Ì.: , 2010. – 0 ñ.
  109. Philip Alberstat. The Insider's Guide to Film Finance. – Ì.: , 2010. – 280 ñ.
  110. Mitch Mitchell. Visual Effects for Film and Television. – Ì.: , 2010. – 248 ñ.
  111. Jeremiah Comey. The Art of Film Acting. – Ì.: , 2010. – 290 ñ.
  112. Desi Bognar. International Dictionary of Broadcasting and Film. – Ì.: , 2010. – 328 ñ.
  113. Steve Cartwright. Pre-Production Planning for Video, Film, and Multimedia. – Ì.: , 2010. – 229 ñ.
  114. Dwight V. Swain with Joye R. Swain. Film Scriptwriting: A Practical Manual. – Ì.: Focal Press, 2007. – 438 ñ.
  115. Lisa C. Klein. Sol-Gel Technology for Thin Films, Fibers, Preforms, Electronics and Specialty Shapes. – Ì.: , 2010. – 428 ñ.
  116. John D. Wachtman. Ceramic Films and Coatings. – Ì.: , 2010. – 465 ñ.
  117. Robert F. Davis. Diamond Films and Coatings. – Ì.: , 2010. – 437 ñ.
  118. Karl Reisz. Technique of Film Editing. – Ì.: , 2010. – 416 ñ.
  119. Michael Caine, Maria Aitken. Michael Caine - Acting in Film: An Actor's Take on Movie Making. – Ì.: Applause Books, 2000. – 168 ñ.
  120. Warren M. Sherk. Film and Television Music: A Guide to Books, Articles, and Composer Interviews. – Ì.: , 2011. – 632 ñ.
  121. Sylvia Li–chun Lin. Representing Atrocity in Taiwan – The 2/28 Incident and White Terror in Fiction and Film. – Ì.: , 2007. – 240 ñ.
  122. Irving Singer. Reality Transformed – Film as Meaning & Technique. – Ì.: , 1998. – 226 ñ.
  123. A Kaes. From Hitler to Heimat – The Return of History as Film. – Ì.: , 1989. – 272 ñ.

Äîïîëíèòåëüíûå ðåçóëüòàòû

  1. Sara Rojas-Dotor. Efecto del FILM sobre la produccion de citocinas en linfocitos T CD4+: Efecto del anti-inflamatorio FILM sobre la produccion de citocinas (Spanish Edition). – Ì.: , 2012. – 76 ñ.
  2. Tom Zaniello. Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films About Labor. – Ì.: , 0. – 0 ñ.
  3. Larry Gross, John Stuart Katz, Jay Ruby. Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (Communication and Society). – Ì.: , 0. – 0 ñ.
  4. Tanja Crouch, Tanja L. Crouch. 100 Careers in Film and Television. – Ì.: , 0. – 0 ñ.
  5. Barbara Clark, Susan Spohr. Guide to Postproduction for TV and Film, Second Edition: Managing the Process. – Ì.: Focal Press, 2002. – 356 ñ.
  6. Colleen Striegel, Shaun O'L. Higgins. Movies for Leaders: Management Lessons from Four All-Time Great Films (Management Goes to the Movies). – Ì.: , 0. – 0 ñ.
  7. Philip Gillett. The British Working Class in Postwar Film. – Ì.: , 2003. – 0 ñ.
  8. John Bodnar. Blue-Collar Hollywood : Liberalism, Democracy, and Working People in American Film. – Ì.: , 2003. – 0 ñ.
  9. Christopher Null. Five Stars! How to Become a Film Critic, The World's Greatest Job. – Ì.: , 2005. – 256 ñ.
  10. Kerry Segrave. Product Placement in Hollywood Films: A History. – Ì.: McFarland & Company, 2004. – 250 ñ.
  11. Robert Koster. The Budget Book for Film and Television, Second Edition. – Ì.: Focal Press, 2004. – 340 ñ.
  12. A. Keller, Alexandra Keller. James Cameron (Routledge Film Guidebooks). – Ì.: , 2007. – 193 ñ.
  13. Carole Lee Dean. The Art of Film Funding: Alternative Financing Concepts. – Ì.: , 2007. – 280 ñ.
  14. Emma French. Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium. – Ì.: , 2006. – 224 ñ.
  15. Virginia Wright Wexman. History of Film, A (6th Edition) (History of Film). – Ì.: , 2005. – 504 ñ.
  16. David K. Irving, Peter W. Rea. Producing and Directing the Short Film and Video, Third Edition. – Ì.: , 2006. – 440 ñ.
  17. Encyclopedia of the Documentary Film, 3 Volume Set. – Ì.: , 2005. – 1968 ñ.
  18. Julie Maclusky. Is There Life After Film School?. – Ì.: , 2006. – 216 ñ.
  19. Emma Bell. Management, Organisations and Film: Management, Work and Organisations. – Ì.: , 2008. – 216 ñ.
  20. Randall Halle. German Film after Germany: Toward a Transnational Aesthetic. – Ì.: , 2008. – 256 ñ.
  21. Editors of the British Film Institute. Broadcasting & Telecomms. – Ì.: , 2008. – 0 ñ.
  22. Jamie Sexton. Alternative Film Culture in Inter-War Britain (UEP - Exeter Studies in Film History). – Ì.: , 2008. – 240 ñ.
  23. Alexander A. Ignatiev. Magnetoelectronics of Microwaves and Extremely High Frequencies in Ferrite Films. – Ì.: , 2009. – 392 ñ.
  24. Fred Yager. Career Opportunities in the Film Industry. – Ì.: , 2009. – 320 ñ.
  25. Paula Landry, Stephen R. Greenwald. This Business of Film: A Practical Guide to Achieving Success in the Film Industry. – Ì.: Lone Eagle Publishing Company, 2009. – 368 ñ.
  26. Caroline Wong. SINGAPOREAN FILM INDUSTRY IN TRANSITION:LOOKING FOR A CREATIVE EDGE: The nature and role of intangible resources that shape an uncertain and changing environment such as the film industry. – Ì.: , 2010. – 220 ñ.
  27. Bastian Cleve. Film Production Management. – Ì.: Focal Press, 2006. – 240 ñ.
  28. RICHARD GATES. Production Management for Film and Video. – Ì.: , 2010. – 167 ñ.
  29. Jeff Smith. The Sounds of Commerce – Marketing Popular Film Music (Paper). – Ì.: , 1998. – 300 ñ.
  30. Kenneth S. Rothwell. A History of Shakespeare on Screen : A Century of Film and Television. – Ì.: , 2004. – 398 ñ.
  31. Dave Knox. Strike the Baby and Kill the Blonde : An Insider's Guide to Film Slang. – Ì.: , 2005. – 224 ñ.
  32. Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – Ì.: , 2009. – 235 ñ.
  33. Mohamed Saad, Usama El-Behairy, Mahmoud Medany. Producing Snap Beans For Export Using Hydroponics Systems: Root-zone warming and air heating on snap bean plants grown in nutrient film technique system (NFT). – Ì.: , 2012. – 72 ñ.
  34. Eve Light Honthaner. The Complete Film Production Handbook (+ CD-ROM). – Ì.: Focal Press, 2001. – 536 ñ.
  35. Steven Katz. Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions). – Ì.: Michael Wiese Productions, 1991. – 325 ñ.
  36. Stephen Teo. Director in Action: Johnnie To and the Hong Kong Action Film. – Ì.: Hong Kong University Press, 2007. – 294 ñ.
  37. Repicturing the Second World War: Representations in Film and Television. – Ì.: Palgrave Macmillan, 2008. – 272 ñ.
  38. Cedric J. Robinson. Forgeries of Memory & Meaning: Blacks & the Regimes of Race in American Theater & Film before World War II. – Ì.: The University of North Carolina Press, 2007. – 446 ñ.
  39. Ronald R. Willey. Practical Design of Optical Thin Films. – Ì.: Willey Optical Consultants, 2007. – 260 ñ.
  40. Ronald R. Willey. Practical Production of Optical Thin Films. – Ì.: Willey Optical Consultants, 2008. – 432 ñ.
  41. Eve Light Honthaner. The Complete Film Production Handbook. – Ì.: Focal Press, 2010. – 552 ñ.
  42. Village Voice. The Village Voice Film Guide. – Ì.: , 2007. – 336 ñ.
  43. Maria del Mar Azcona. The Multi–Protagonist Film. – Ì.: , 2010. – 176 ñ.
  44. Rick Worland. The Horror Film. – Ì.: , 2006. – 336 ñ.
  45. Richard L. Bare. The Film Director. – Ì.: , 2000. – 274 ñ.
  46. Subba Ramaiah Kodigala. Cu(InGa)Se2 Based Thin Film Solar Cells. – Ì.: , 2010. – 350 ñ.
  47. Karel Reisz. Technique of Film Editing, Reissue of 2nd Edition. – Ì.: , 2010. – 368 ñ.
  48. Finola Kerrigan. Film Marketing. – Ì.: Elsevier Butterworth-Heinemann, 2010. – 280 ñ.
  49. Chennupati Jagadish. Zinc Oxide Bulk, Thin Films and Nanostructures. – Ì.: , 2010. – 600 ñ.
  50. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV. – Ì.: , 2010. – 200 ñ.
  51. Hilary Wyatt. Audio Post Production for Television and Film. – Ì.: , 2010. – 304 ñ.
  52. Zouheir Sekkat. Photoreactive Organic Thin Films. – Ì.: , 2010. – 559 ñ.
  53. Ken Dancyger. The Technique of Film and Video Editing. – Ì.: , 2010. – 520 ñ.
  54. George Cvjetnicanin. Film Into Video. – Ì.: , 2010. – 416 ñ.
  55. Jeffrey C. Ulin. The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World. – Ì.: Focal Press, 2010. – 528 ñ.
  56. Jay Rose. Producing Great Sound for Film and Video. – Ì.: , 2010. – 464 ñ.
  57. D. Dowson. Thinning Films and Tribological Interfaces,38. – Ì.: , 2010. – 856 ñ.
  58. Paul Read. Restoration of Motion Picture Film. – Ì.: , 2010. – 368 ñ.
  59. Robin Small. Production Safety for Film, Television and Video. – Ì.: , 2010. – 504 ñ.
  60. Abraham Ulman. An Introduction to Ultrathin Organic Films. – Ì.: , 2010. – 442 ñ.
  61. Tomlinson Holman. Sound for Film and Television (+ DVD-ROM). – Ì.: Ðèä Ýëñèâåð, Focal Press, 2010. – 264 ñ.
  62. Peter M. Martin. Handbook of Deposition Technologies for Films and Coatings. – Ì.: , 2010. – 936 ñ.
  63. Ken Dancyger. The Technique of Film and Video Editing. – Ì.: , 2010. – 512 ñ.
  64. Jan Musgrove. Make-Up, Hair and Costume for Film and Television. – Ì.: , 2010. – 208 ñ.
  65. Krishna Seshan. Handbook of Thin Film Deposition Processes and Techniques. – Ì.: , 2010. – 430 ñ.
  66. Peter W. Rea. Producing and Directing the Short Film and Video. – Ì.: , 2010. – 376 ñ.
  67. Ian Bernard. Film and Television Acting. – Ì.: , 2010. – 176 ñ.
  68. F. Petroff. Magnetic Ultra Thin Films, Multilayers and Surfaces,62. – Ì.: , 2010. – 0 ñ.
  69. D. Exerowa. Foam and Foam Films,5. – Ì.: , 2010. – 0 ñ.
  70. Richard Ferncase. Basic Lighting Worktext for Film and Video. – Ì.: , 2010. – 128 ñ.
  71. Steve Wright. Digital Compositing for Film and Video (+ DVD-ROM). – Ì.: Focal Press, 2010. – 512 ñ.
  72. Peter W. Rea, David K. Irving. Producing and Directing the Short Film and Video. – Ì.: Focal Press, 2010. – 432 ñ.
  73. Anthony Q. Artis. Documentary Film Producers' Bundle. – Ì.: , 2010. – 0 ñ.
  74. Nicholas Proferes. Film Directing Fundamentals. – Ì.: , 2010. – 336 ñ.
  75. Ruediger Grunwald. Thin Film Micro-Optics. – Ì.: , 2010. – 306 ñ.
  76. Charles Bishop. Vacuum Deposition onto Webs, Films, and Foils. – Ì.: , 2010. – 495 ñ.
  77. Jaime Fowler. Editing Digital Film. – Ì.: , 2010. – 192 ñ.
  78. Patricia Baker. Wigs and Make-up for Theatre, TV and Film. – Ì.: , 2010. – 286 ñ.
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