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Âîñïîëüçóéòåñü ôîðìîé ïîèñêà ïî ñàéòó, ÷òîáû ïîäîáðàòü ïîëíûé ñïèñîê èñïîëüçîâàííîé ëèòåðàòóðû.
Åñëè âû õîòèòå âûáðàòü äëÿ ñïèñêà ëèòåðàòóðû êíèãè îïðåäåëåííîãî ãîäà èçäàíèÿ, äîñòàòî÷íî äîïèñàòü åãî ê ïîèñêîâîìó çàïðîñó.
Ðåçóëüòàòû ïîèñêà
Ëó÷øèå ðåçóëüòàòû- Robert Gerardi. Opportunities in Music Careers, Revised Edition. – Ì.: , 0. – 0 ñ.
- Shelly Field. Career Opportunities in the Music Industry (CAREER OPPORTUNITIES IN THE MUSIC INDUSTRY). – Ì.: , 0. – 0 ñ.
- Diane Lindsey Reeves, Gayle Bryan, Nancy Bond. Career Ideas for Kids Who Like Music and Dance (Career Ideas for Kids Series). – Ì.: , 0. – 0 ñ.
- Norman Kelley. R&B (Rhythm and Business): The Political Economy of Black Music. – Ì.: , 0. – 0 ñ.
- Lenn Millbower. Training With a Beat: The Teaching Power of Music. – Ì.: , 0. – 0 ñ.
- David Hooper. Music, Business, Success, Better Networking Skills and Creativity for Musicians and Songwriters Through Simple Memory Improvement Techniques. – Ì.: Kathode Ray Enterprises, LLC, 2005. – 186 ñ.
- Mark W. Curran. Sell Your Music : How To Profitably Sell Your Own Recordings Online. – Ì.: , 0. – 0 ñ.
- Eleanor Selfridge-Field. Beyond MIDI: The Handbook of Musical Codes. – Ì.: , 0. – 0 ñ.
- Rainer Hain. The Perfect Music PC. – Ì.: , 0. – 0 ñ.
- David Baskerville. Music Business Handbook and Career Guide (Music Business Handbook and Career Guide). – Ì.: Sage Publications, 2005. – 640 ñ.
- Arthur B. VanGundy. Orchestrating Collaboration at Work: Using Music, Improv, Storytelling and Other Arts to Improve Teamwork. – Ì.: , 2003. – 0 ñ.
- Ted Chapin. Everything Was Possible : The Birth of the Musical Follies. – Ì.: , 2005. – 336 ñ.
- Arnold Whittall. Exploring Twentieth-Century Music : Tradition and Innovation. – Ì.: , 2003. – 250 ñ.
- Dick Weissman. Navigating the Music Industry. – Ì.: , 2003. – 288 ñ.
- Norman Kelley. R&B (Rhythm and Business) : The Political Economy of Black Music. – Ì.: Akashic Books, 2005. – 330 ñ.
- Bruce Haring. How NOT to Destroy Your Career in Music : Avoiding the Common Mistakes Most Musicians Make. – Ì.: , 2005. – 200 ñ.
- Jeffrey P. Fisher. Moneymaking Music. – Ì.: , 2003. – 251 ñ.
- Dick Weissman. The Music Business : Career Opportunities and Self-Defense. – Ì.: , 2003. – 416 ñ.
- The Music Lover's Quotation Book. – Ì.: , 2003. – 224 ñ.
- Mark Coleman. Playback: From the victrola to MP3, 100 Years of Music, Machines, and Money. – Ì.: , 2005. – 249 ñ.
- The Cambridge History of Twentieth-Century Music (The Cambridge History of Music). – Ì.: , 2004. – 836 ñ.
- Jeffrey P. Fisher. Ruthless Self-Promotion in the Music Industry, Second Edition. – Ì.: , 2005. – 320 ñ.
- Guy Oseary. On The Record: Over 150 Of The Most Talented People In Music Share The Secrets Of Their Success. – Ì.: , 2004. – 475 ñ.
- Dennis Prince. How to Sell Music, Collectibles, and Instruments on eBay... And Make a Fortune. – Ì.: , 2004. – 224 ñ.
- John A. Rice. Empress Marie Therese and Music at the Viennese Court, 1792-1807. – Ì.: , 2003. – 406 ñ.
- Steve Moore. The Truth About the Music Business: A Grassroots Business and Legal Guide. – Ì.: , 2005. – 656 ñ.
- Alexander Rehding. Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism). – Ì.: , 2003. – 230 ñ.
- Analyzing Popular Music. – Ì.: , 2003. – 280 ñ.
- John Haines. Eight Centuries of Troubadours and Trouveres : The Changing Identity of Medieval Music (Musical Performance and Reception). – Ì.: , 2004. – 360 ñ.
- Hendrick Ferguson. The Music I Love... The Business I Hate. – Ì.: , 2004. – 236 ñ.
- Stephen Bennett. Making Music with Logic Pro. – Ì.: PC Publishing, 2005. – 320 ñ.
- Shelly Field. Career Opportunities in the Music Industry (Career Opportunities in the Music Industry). – Ì.: , 2004. – 310 ñ.
- Dave Kusek. The Future of Music : Manifesto for the Digital Music Revolution. – Ì.: Berklee Press, 2005. – 198 ñ.
- Scott Kelby. The iPod Book : Doing Cool Stuff with the iPod and the iTunes Music Store. – Ì.: Peachpit Press, 2005. – 229 ñ.
- David J. Park. Conglomerate Rock: The Music Industry's Quest to Divide Music and Conquer Wallets. – Ì.: , 2007. – 160 ñ.
- M. William Krasilovsky, Sidney Shemel, John M. Gross, Jonathan Feinstein. This Business of Music. – Ì.: Billboard Books, 2007. – 528 ñ.
- Elizabeth Currid. The Warhol Economy: How Fashion, Art, and Music Drive New York City. – Ì.: , 2007. – 0 ñ.
- Simon Cann. Building a Successful 21st-Century Music Career. – Ì.: , 2007. – 423 ñ.
- Dick Weissman. Making a Living in Your Local Music Market: Realizing Your Marketing Potential. – Ì.: , 2006. – 270 ñ.
- Peter Spellman. The Self-Promoting Musician: Strategies for Independent Music Success. – Ì.: , 2008. – 248 ñ.
- Michael Zager. Writing Music for Television and Radio Commercials (and more): A Manual for Composers and Students. – Ì.: , 2008. – 258 ñ.
- Larry Edward Wacholtz. Off the Record-The New Music Business Guide and Workbook for the Digital World. – Ì.: , 2008. – 292 ñ.
- Ariel Hyatt. Music Success In Nine Weeks. – Ì.: , 2008. – 152 ñ.
- Ibp Usa. Borders Books & Music Shops Directory (World Strategic and Business Information Library). – Ì.: , 2008. – 300 ñ.
- Tom Hutchison. Web Marketing for the Music Business. – Ì.: , 2008. – 304 ñ.
- Jurgen Meyer. Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects and Musical Instrument Makers (Modern Acoustics and Signal Processing). – Ì.: , 2009. – 344 ñ.
- Edgar M Struble. Working In The Music Industry. – Ì.: , 2010. – 104 ñ.
- Ralph Bathurst. The Music of Organisations: An Aesthetic Ethnography. – Ì.: , 2010. – 296 ñ.
- Jeff Smith. The Sounds of Commerce – Marketing Popular Film Music (Paper). – Ì.: , 1998. – 300 ñ.
- Helen Gammons. The Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film and Media Industries. – Ì.: Focal Press, 2011. – 232 ñ.
- Donald S. Passman. All You Need to Know About the Music Business. – Ì.: Free Press, 2009. – 480 ñ.
- Greg Forest. Music Business Contract Library. – Ì.: Hal Leonard, 2008. – 320 ñ.
- A Handbook to Twentieth-Century Musical Sketches. – Ì.: , 2004. – 268 ñ.
- Simha Arom. African Polyphony and Polyrhythm : Musical Structure and Methodology. – Ì.: , 2004. – 696 ñ.
- Mark Rigney. Deaf Side Story: Deaf Sharks, Hearing Jets, and a Classic American Musical. – Ì.: , 2003. – 232 ñ.
- Oliver Sacks. Musicophilia: Tales of Music and the Brain. – Ì.: Knopf, 2008. – 400 ñ.
- William H. Young, Nancy K. Young. Music of the World War II Era. – Ì.: Greenwood Press, 2007. – 288 ñ.
- Oliver Sacks. Musicophilia: Tales of Music and the Brain. – Ì.: Vintage, 2008. – 448 ñ.
- R. Dunstan. A Manual Of Music. – Ì.: , 2008. – 304 ñ.
- Rick Snoman. Dance Music Manual (+ CD-ROM). – Ì.: Focal Press, Elsevier, 2008. – 544 ñ.
- Advances in Music Information Retrieval (Studies in Computational Intelligence). – Ì.: , 2010. – 420 ñ.
- Willard Charles Sperry. The Structure of Musical Sound. – Ì.: , 2010. – 372 ñ.
- Deborah Howard, Laura Moretti. Sound and Space in Renaissance Venice: Architecture, Music, Acoustics. – Ì.: , 2010. – 256 ñ.
- Iannis Xenakis. Arts/Sciences: Alloys (Aesthetics in Music). – Ì.: , 2010. – 143 ñ.
- History of Western Music 8e. – Ì.: , 2009. – 0 ñ.
- Stephen Fishman J.D. The Public Domain: How to Find and Use Copyright Free Writings, Music, Art & More. – Ì.: NOLO, 2008. – 464 ñ.
- Stefan Koelsch. Brain and Music. – Ì.: , 2011. – 352 ñ.
- Stefan Koelsch. Brain and Music. – Ì.: , 2011. – 352 ñ.
- Cynthia Meyers Ross. The Music Teacher?s Book of Lists. – Ì.: , 2002. – 272 ñ.
- Peter R. Marler. Nature's Music. – Ì.: , 2010. – 504 ñ.
- Andrea Pejrolo. Creative Sequencing Techniques for Music Production. – Ì.: , 2010. – 320 ñ.
- Mark Cousins, Russ Hepworth-Sawyer. Logic Pro 9: Audio and Music Production. – Ì.: Ðèä Ýëñèâåð, Focal Press, 2010. – 432 ñ.
- Johan Sundberg. The Science of Musical Sounds. – Ì.: , 2010. – 194 ñ.
- Bruce Bartlett. Recording Music on Location. – Ì.: , 2010. – 320 ñ.
- Russ Hepworth-Sawyer. What is Music Production. – Ì.: , 2010. – 320 ñ.
- Sheila Curran Bernard. Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music. – Ì.: , 2010. – 336 ñ.
- R A Penfold. Music Projects. – Ì.: , 2010. – 160 ñ.
- Mike Collins. Choosing and Using Audio and Music Software. – Ì.: , 2010. – 544 ñ.
- Ross Kirk. Digital Sound Processing for Music and Multimedia. – Ì.: , 2010. – 334 ñ.
- Deena Kaye. Sound and Music for the Theatre. – Ì.: , 2010. – 344 ñ.
- Mike Collins. Pro Tools for Music Production. – Ì.: , 2010. – 400 ñ.
- Warren M. Sherk. Film and Television Music: A Guide to Books, Articles, and Composer Interviews. – Ì.: , 2011. – 632 ñ.
- Colors of Enchantment: Theater, Dance, Music, and the Visual Arts of the Middle East. – Ì.: American University in Cairo Press, 2010. – 448 ñ.
- Thomas Turino. Nationalists, Cosmopolitans & Popular Music in Zimbabwe. – Ì.: , 2000. – 352 ñ.
- Dru C. Cogan. New Images of Musical Sound. – Ì.: , 1985. – 224 ñ.
- Steve Hanning. Concise History of Western Music IM&TIF. – Ì.: , 1998. – 244 ñ.
- UNKNOWN. Barnes & Noble Music 2001 Promotion. – Ì.: , 2001. – 0 ñ.
- Theodor W Adorno. Night Music – Essays on Music 1928–1962. – Ì.: , 2009. – 492 ñ.
- CV PALISCA. Palisca Norton Anthology Western ?music? (cloth). – Ì.: , 1980. – 0 ñ.
- Anne Rassmussen. Women, The Recited Qur?an and Islamic Music in Indonesia. – Ì.: , 2010. – 294 ñ.
- David W Bernstein. The San Francisco Tape Music Center – 1960s Counterculture and the Avant–Garde. – Ì.: , 2008. – 288 ñ.
- A P Brown. Joseph Haydn?s Keyboard Music – Sources & Styles. – Ì.: , 1986. – 476 ñ.
- G STAUFFER. Stauffer: J.s. Bach As Organist: His Instruments, Music, & Performance Practices. – Ì.: , 1986. – 320 ñ.
- Bob Snyder. Music & Memory – An Introduction. – Ì.: , 2001. – 316 ñ.
- L ROSENSTIEL. Rosenstiel ?nadia Boulanger? – A Life In Music. – Ì.: , 1982. – 438 ñ.
- Nils L Wallin. The Origins of Music. – Ì.: , 2000. – 516 ñ.
- David W Stowe. How Sweet the Sound – Music in the Spiritual Lives of Americans. – Ì.: , 2004. – 384 ñ.
- Kristine Forney. Enjoyment of Music 10e +DVD +CDx8. – Ì.: , 2007. – 0 ñ.
- Mary Ann Smart. Mimomania – Music and Gesture in Nineteenth Century Opera. – Ì.: , 2006. – 245 ñ.
- F Lerdahl. Lerdahl: A ?generative? Theory Of Tonal Music (pap Er). – Ì.: , 1983. – 0 ñ.
- Anne Rassmussen. Women, The Recited Qur?an and Islamic Music in Indonesia. – Ì.: , 2010. – 294 ñ.
- C V Palisca. Palisca: Norton Anthology Of Western Music: Medieval Renaissance Baroque 2ed (pr Only). – Ì.: , 1988. – 686 ñ.
- Michael Forsyth. Buildings for Music. – Ì.: , 2004. – 398 ñ.
- Peter La Chapelle. Proud to Be an Okie – Cultural Politics, Country Music and Migration to Southern California. – Ì.: , 2007. – 346 ñ.
- Peter La Chapelle. Proud to Be an Okie – Cultural Politics, Country Music and Migration to Southern California. – Ì.: , 2007. – 346 ñ.
- James Haar. The Science & Art of Renaissance Music. – Ì.: , 1998. – 406 ñ.
- C V Palisca. Palisca: Norton Anthology Of Western Music: Classic Romantic Modern 2ed (pr Only). – Ì.: , 1988. – 832 ñ.
- Giovanni De Poli. Representations of Musical Signals. – Ì.: , 1991. – 494 ñ.
- Leon Botstein. The Compleat Brahms – A Guide to the Musical Works of Johannes Brahms. – Ì.: , 1999. – 448 ñ.
- T Turino. Music as Social Life – The Politics of Participation. – Ì.: , 2008. – 280 ñ.
- Fred Lerdahl. A Generative Theory of Tonal Music. – Ì.: , 1996. – 384 ñ.
- J Lester. Analytic Approaches To Twentieth–Century Music TM (Paper Only). – Ì.: , 1989. – 24 ñ.
- L Libin. American Musical Instruments in the Metropolitan Museum of Art. – Ì.: , 1986. – 224 ñ.
- T Mcgee. Music of Canada. – Ì.: , 1985. – 0 ñ.
- Leon Plantinga. Beethoven?s Concertos – History, Style, Performance + Music Examples. – Ì.: , 1999. – 416 ñ.
- Robert Wuthnow. All in Sync – How Music and Art are Revitalizing American Religion. – Ì.: , 2006. – 300 ñ.
- Leeman L Perkins. Music in the Age of the Renaissance. – Ì.: , 1999. – 1148 ñ.
- HS HOWE. Howe ?electronic Music? Synthesis. – Ì.: , 1975. – 0 ñ.
- Todd Winkler. Composing Interactive Music – Techniques & Ideas Using Max + CD ROM Mac. – Ì.: , 1998. – 360 ñ.
- Floyd Levin. Classic Jazz – A Personal View of the Music & the Musicians. – Ì.: , 2002. – 362 ñ.
- Early Music Ins. Laude – Medieval Italian Spiritual Songs (CD). – Ì.: , 1991. – 0 ñ.
- Musical's History: Golden Hits: Arranged for Accordion (Bayan): Issue 1. Èñòîðèÿ ìþçèêëà. Çîëîòûå õèòû â ïåðåëîæåíèè äëÿ àêêîðäåîíà (áàÿíà). Âûïóñê 1. – ÑïÁ.: Êîìïîçèòîð - Ñàíêò-Ïåòåðáóðã, 2012. – 32 ñ.
- Lejla Music. Ecological nationalism. – Ì.: LAP Lambert Academic Publishing, 2014. – 96 ñ.
Äîïîëíèòåëüíûå ðåçóëüòàòû- Robert Gerardi. Opportunities in Music Careers, Revised Edition. – Ì.: , 0. – 0 ñ.
- Shelly Field. Career Opportunities in the Music Industry (CAREER OPPORTUNITIES IN THE MUSIC INDUSTRY). – Ì.: , 0. – 0 ñ.
- Diane Lindsey Reeves, Gayle Bryan, Nancy Bond. Career Ideas for Kids Who Like Music and Dance (Career Ideas for Kids Series). – Ì.: , 0. – 0 ñ.
- Norman Kelley. R&B (Rhythm and Business): The Political Economy of Black Music. – Ì.: , 0. – 0 ñ.
- Lenn Millbower. Training With a Beat: The Teaching Power of Music. – Ì.: , 0. – 0 ñ.
- David Hooper. Music, Business, Success, Better Networking Skills and Creativity for Musicians and Songwriters Through Simple Memory Improvement Techniques. – Ì.: Kathode Ray Enterprises, LLC, 2005. – 186 ñ.
- Mark W. Curran. Sell Your Music : How To Profitably Sell Your Own Recordings Online. – Ì.: , 0. – 0 ñ.
- Eleanor Selfridge-Field. Beyond MIDI: The Handbook of Musical Codes. – Ì.: , 0. – 0 ñ.
- Rainer Hain. The Perfect Music PC. – Ì.: , 0. – 0 ñ.
- David Baskerville. Music Business Handbook and Career Guide (Music Business Handbook and Career Guide). – Ì.: Sage Publications, 2005. – 640 ñ.
- Arthur B. VanGundy. Orchestrating Collaboration at Work: Using Music, Improv, Storytelling and Other Arts to Improve Teamwork. – Ì.: , 2003. – 0 ñ.
- Ted Chapin. Everything Was Possible : The Birth of the Musical Follies. – Ì.: , 2005. – 336 ñ.
- Arnold Whittall. Exploring Twentieth-Century Music : Tradition and Innovation. – Ì.: , 2003. – 250 ñ.
- Dick Weissman. Navigating the Music Industry. – Ì.: , 2003. – 288 ñ.
- Norman Kelley. R&B (Rhythm and Business) : The Political Economy of Black Music. – Ì.: Akashic Books, 2005. – 330 ñ.
- Bruce Haring. How NOT to Destroy Your Career in Music : Avoiding the Common Mistakes Most Musicians Make. – Ì.: , 2005. – 200 ñ.
- Jeffrey P. Fisher. Moneymaking Music. – Ì.: , 2003. – 251 ñ.
- Dick Weissman. The Music Business : Career Opportunities and Self-Defense. – Ì.: , 2003. – 416 ñ.
- The Music Lover's Quotation Book. – Ì.: , 2003. – 224 ñ.
- Mark Coleman. Playback: From the victrola to MP3, 100 Years of Music, Machines, and Money. – Ì.: , 2005. – 249 ñ.
- The Cambridge History of Twentieth-Century Music (The Cambridge History of Music). – Ì.: , 2004. – 836 ñ.
- Jeffrey P. Fisher. Ruthless Self-Promotion in the Music Industry, Second Edition. – Ì.: , 2005. – 320 ñ.
- Guy Oseary. On The Record: Over 150 Of The Most Talented People In Music Share The Secrets Of Their Success. – Ì.: , 2004. – 475 ñ.
- Dennis Prince. How to Sell Music, Collectibles, and Instruments on eBay... And Make a Fortune. – Ì.: , 2004. – 224 ñ.
- John A. Rice. Empress Marie Therese and Music at the Viennese Court, 1792-1807. – Ì.: , 2003. – 406 ñ.
- Steve Moore. The Truth About the Music Business: A Grassroots Business and Legal Guide. – Ì.: , 2005. – 656 ñ.
- Alexander Rehding. Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism). – Ì.: , 2003. – 230 ñ.
- Analyzing Popular Music. – Ì.: , 2003. – 280 ñ.
- John Haines. Eight Centuries of Troubadours and Trouveres : The Changing Identity of Medieval Music (Musical Performance and Reception). – Ì.: , 2004. – 360 ñ.
- Hendrick Ferguson. The Music I Love... The Business I Hate. – Ì.: , 2004. – 236 ñ.
- Stephen Bennett. Making Music with Logic Pro. – Ì.: PC Publishing, 2005. – 320 ñ.
- Shelly Field. Career Opportunities in the Music Industry (Career Opportunities in the Music Industry). – Ì.: , 2004. – 310 ñ.
- Dave Kusek. The Future of Music : Manifesto for the Digital Music Revolution. – Ì.: Berklee Press, 2005. – 198 ñ.
- Scott Kelby. The iPod Book : Doing Cool Stuff with the iPod and the iTunes Music Store. – Ì.: Peachpit Press, 2005. – 229 ñ.
- David J. Park. Conglomerate Rock: The Music Industry's Quest to Divide Music and Conquer Wallets. – Ì.: , 2007. – 160 ñ.
- M. William Krasilovsky, Sidney Shemel, John M. Gross, Jonathan Feinstein. This Business of Music. – Ì.: Billboard Books, 2007. – 528 ñ.
- Elizabeth Currid. The Warhol Economy: How Fashion, Art, and Music Drive New York City. – Ì.: , 2007. – 0 ñ.
- Simon Cann. Building a Successful 21st-Century Music Career. – Ì.: , 2007. – 423 ñ.
- Dick Weissman. Making a Living in Your Local Music Market: Realizing Your Marketing Potential. – Ì.: , 2006. – 270 ñ.
- Peter Spellman. The Self-Promoting Musician: Strategies for Independent Music Success. – Ì.: , 2008. – 248 ñ.
- Michael Zager. Writing Music for Television and Radio Commercials (and more): A Manual for Composers and Students. – Ì.: , 2008. – 258 ñ.
- Larry Edward Wacholtz. Off the Record-The New Music Business Guide and Workbook for the Digital World. – Ì.: , 2008. – 292 ñ.
- Ariel Hyatt. Music Success In Nine Weeks. – Ì.: , 2008. – 152 ñ.
- Ibp Usa. Borders Books & Music Shops Directory (World Strategic and Business Information Library). – Ì.: , 2008. – 300 ñ.
- Tom Hutchison. Web Marketing for the Music Business. – Ì.: , 2008. – 304 ñ.
- Jurgen Meyer. Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects and Musical Instrument Makers (Modern Acoustics and Signal Processing). – Ì.: , 2009. – 344 ñ.
- Edgar M Struble. Working In The Music Industry. – Ì.: , 2010. – 104 ñ.
- Ralph Bathurst. The Music of Organisations: An Aesthetic Ethnography. – Ì.: , 2010. – 296 ñ.
- Jeff Smith. The Sounds of Commerce – Marketing Popular Film Music (Paper). – Ì.: , 1998. – 300 ñ.
- Helen Gammons. The Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film and Media Industries. – Ì.: Focal Press, 2011. – 232 ñ.
- Donald S. Passman. All You Need to Know About the Music Business. – Ì.: Free Press, 2009. – 480 ñ.
- Greg Forest. Music Business Contract Library. – Ì.: Hal Leonard, 2008. – 320 ñ.
- A Handbook to Twentieth-Century Musical Sketches. – Ì.: , 2004. – 268 ñ.
- Simha Arom. African Polyphony and Polyrhythm : Musical Structure and Methodology. – Ì.: , 2004. – 696 ñ.
- Mark Rigney. Deaf Side Story: Deaf Sharks, Hearing Jets, and a Classic American Musical. – Ì.: , 2003. – 232 ñ.
- Oliver Sacks. Musicophilia: Tales of Music and the Brain. – Ì.: Knopf, 2008. – 400 ñ.
- William H. Young, Nancy K. Young. Music of the World War II Era. – Ì.: Greenwood Press, 2007. – 288 ñ.
- Oliver Sacks. Musicophilia: Tales of Music and the Brain. – Ì.: Vintage, 2008. – 448 ñ.
- R. Dunstan. A Manual Of Music. – Ì.: , 2008. – 304 ñ.
- Rick Snoman. Dance Music Manual (+ CD-ROM). – Ì.: Focal Press, Elsevier, 2008. – 544 ñ.
- Advances in Music Information Retrieval (Studies in Computational Intelligence). – Ì.: , 2010. – 420 ñ.
- Willard Charles Sperry. The Structure of Musical Sound. – Ì.: , 2010. – 372 ñ.
- Deborah Howard, Laura Moretti. Sound and Space in Renaissance Venice: Architecture, Music, Acoustics. – Ì.: , 2010. – 256 ñ.
- Iannis Xenakis. Arts/Sciences: Alloys (Aesthetics in Music). – Ì.: , 2010. – 143 ñ.
- History of Western Music 8e. – Ì.: , 2009. – 0 ñ.
- Stephen Fishman J.D. The Public Domain: How to Find and Use Copyright Free Writings, Music, Art & More. – Ì.: NOLO, 2008. – 464 ñ.
- Stefan Koelsch. Brain and Music. – Ì.: , 2011. – 352 ñ.
- Stefan Koelsch. Brain and Music. – Ì.: , 2011. – 352 ñ.
- Cynthia Meyers Ross. The Music Teacher?s Book of Lists. – Ì.: , 2002. – 272 ñ.
- Peter R. Marler. Nature's Music. – Ì.: , 2010. – 504 ñ.
- Andrea Pejrolo. Creative Sequencing Techniques for Music Production. – Ì.: , 2010. – 320 ñ.
- Mark Cousins, Russ Hepworth-Sawyer. Logic Pro 9: Audio and Music Production. – Ì.: Ðèä Ýëñèâåð, Focal Press, 2010. – 432 ñ.
- Johan Sundberg. The Science of Musical Sounds. – Ì.: , 2010. – 194 ñ.
- Bruce Bartlett. Recording Music on Location. – Ì.: , 2010. – 320 ñ.
- Russ Hepworth-Sawyer. What is Music Production. – Ì.: , 2010. – 320 ñ.
- Sheila Curran Bernard. Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music. – Ì.: , 2010. – 336 ñ.
- R A Penfold. Music Projects. – Ì.: , 2010. – 160 ñ.
- Mike Collins. Choosing and Using Audio and Music Software. – Ì.: , 2010. – 544 ñ.
- Ross Kirk. Digital Sound Processing for Music and Multimedia. – Ì.: , 2010. – 334 ñ.
- Deena Kaye. Sound and Music for the Theatre. – Ì.: , 2010. – 344 ñ.
- Mike Collins. Pro Tools for Music Production. – Ì.: , 2010. – 400 ñ.
- Warren M. Sherk. Film and Television Music: A Guide to Books, Articles, and Composer Interviews. – Ì.: , 2011. – 632 ñ.
- Colors of Enchantment: Theater, Dance, Music, and the Visual Arts of the Middle East. – Ì.: American University in Cairo Press, 2010. – 448 ñ.
- Thomas Turino. Nationalists, Cosmopolitans & Popular Music in Zimbabwe. – Ì.: , 2000. – 352 ñ.
- Dru C. Cogan. New Images of Musical Sound. – Ì.: , 1985. – 224 ñ.
- Steve Hanning. Concise History of Western Music IM&TIF. – Ì.: , 1998. – 244 ñ.
- UNKNOWN. Barnes & Noble Music 2001 Promotion. – Ì.: , 2001. – 0 ñ.
- Theodor W Adorno. Night Music – Essays on Music 1928–1962. – Ì.: , 2009. – 492 ñ.
- CV PALISCA. Palisca Norton Anthology Western ?music? (cloth). – Ì.: , 1980. – 0 ñ.
- Anne Rassmussen. Women, The Recited Qur?an and Islamic Music in Indonesia. – Ì.: , 2010. – 294 ñ.
- David W Bernstein. The San Francisco Tape Music Center – 1960s Counterculture and the Avant–Garde. – Ì.: , 2008. – 288 ñ.
- A P Brown. Joseph Haydn?s Keyboard Music – Sources & Styles. – Ì.: , 1986. – 476 ñ.
- G STAUFFER. Stauffer: J.s. Bach As Organist: His Instruments, Music, & Performance Practices. – Ì.: , 1986. – 320 ñ.
- Bob Snyder. Music & Memory – An Introduction. – Ì.: , 2001. – 316 ñ.
- L ROSENSTIEL. Rosenstiel ?nadia Boulanger? – A Life In Music. – Ì.: , 1982. – 438 ñ.
- Nils L Wallin. The Origins of Music. – Ì.: , 2000. – 516 ñ.
- David W Stowe. How Sweet the Sound – Music in the Spiritual Lives of Americans. – Ì.: , 2004. – 384 ñ.
- Kristine Forney. Enjoyment of Music 10e +DVD +CDx8. – Ì.: , 2007. – 0 ñ.
- Mary Ann Smart. Mimomania – Music and Gesture in Nineteenth Century Opera. – Ì.: , 2006. – 245 ñ.
- F Lerdahl. Lerdahl: A ?generative? Theory Of Tonal Music (pap Er). – Ì.: , 1983. – 0 ñ.
- Anne Rassmussen. Women, The Recited Qur?an and Islamic Music in Indonesia. – Ì.: , 2010. – 294 ñ.
- C V Palisca. Palisca: Norton Anthology Of Western Music: Medieval Renaissance Baroque 2ed (pr Only). – Ì.: , 1988. – 686 ñ.
- Michael Forsyth. Buildings for Music. – Ì.: , 2004. – 398 ñ.
- Peter La Chapelle. Proud to Be an Okie – Cultural Politics, Country Music and Migration to Southern California. – Ì.: , 2007. – 346 ñ.
- Peter La Chapelle. Proud to Be an Okie – Cultural Politics, Country Music and Migration to Southern California. – Ì.: , 2007. – 346 ñ.
- James Haar. The Science & Art of Renaissance Music. – Ì.: , 1998. – 406 ñ.
- C V Palisca. Palisca: Norton Anthology Of Western Music: Classic Romantic Modern 2ed (pr Only). – Ì.: , 1988. – 832 ñ.
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