Íàïèñàòü ðåôåðàòû, êóðñîâûå è äèïëîìû ñàìîñòîÿòåëüíî. Àíòèïëàãèàò.
Ñòóäåíòî÷êà.ru: íà ãëàâíóþ ñòðàíèöó. Íàïèñàòü ñàìîñòîÿòåëüíî ðåôåðàòû, êóðñîâûå, äèïëîìû â êðàò÷àéøèå ñðîêè
Ðåôåðàòû, êóðñîâûå, äèïëîìíûå ðàáîòû ñòóäåíòîâ: íàó÷èòüñÿ ïèñàòü ñàìîñòîÿòåëüíî.
Êîíòàêòû Îáðàçöû ðàáîò Áåñïëàòíûå ìàòåðèàëû
Êîíñóëüòàöèè Ñïåöèàëüíîñòè Áàíê ðåôåðàòîâ
Êàðòà ñàéòà Ñòàòüè Ïîäáîð ëèòåðàòóðû
Íàó÷èì ïèñàòü ðåôåðàòû, êóðñîâûå è äèïëîìû.


ïîäáîð ëèòåðàòóðû ïåðèîäè÷åñêèå èñòî÷íèêè ëèòåðàòóðà ïî ïðåäìåòó

Âîñïîëüçóéòåñü ôîðìîé ïîèñêà ïî ñàéòó, ÷òîáû ïîäîáðàòü ïîëíûé ñïèñîê èñïîëüçîâàííîé ëèòåðàòóðû.
Åñëè âû õîòèòå âûáðàòü äëÿ ñïèñêà ëèòåðàòóðû êíèãè îïðåäåëåííîãî ãîäà èçäàíèÿ, äîñòàòî÷íî äîïèñàòü åãî ê ïîèñêîâîìó çàïðîñó.

Ðåçóëüòàòû ïîèñêà

Ïîèñê ìàòåðèàëîâ

Áèáëèîãðàôèÿ Ïåðèîäèêà

Ëó÷øèå ðåçóëüòàòû

  1. Philip Kotler, Joanne Scheff. Standing Room Only: Strategies for Marketing the Performing Arts. – Ì.: Harvard Business School Press, 1997. – 560 ñ.
  2. Robert H. Fuller. Jubilee Jim: From Circus Traveler to Wall Street Rogue: The Remarkable Life Of Colonel James Fisk, Jr. (Legends of Commerce). – Ì.: , 0. – 0 ñ.
  3. Colette A. Hyman. Staging Strikes: Workers' Theatre and the American Labor Movement (Critical Perspectives on the Past). – Ì.: , 0. – 0 ñ.
  4. Jane Stephens, Stephen Zades. Mad Dogs, Dreamers and Sages: Growth in the Age of Ideas. – Ì.: , 0. – 0 ñ.
  5. Norman Lofts. Process Visualization: An Executive Guide to Business Process Design. – Ì.: , 0. – 0 ñ.
  6. Chris Mackowski. The PR Bible for Community Theatres. – Ì.: , 0. – 0 ñ.
  7. Julie McCarthy. Enacting Participatory Development: Theatre-based Techniques. – Ì.: Earthscan, 2005. – 176 ñ.
  8. Gerald Bordman, Thomas S. Hischak. The Oxford Companion to American Theatre. – Ì.: , 2004. – 696 ñ.
  9. William Missouri Downs, Wright, Erik Ramsey. Experiencing the Art of Theatre: A Concise Introduction (Wadsworth Series in Theatre). – Ì.: , 2006. – 416 ñ.
  10. William Missouri Downs, Wright, Erik Ramsey. The Art of Theatre: Then and Now. – Ì.: , 2006. – 480 ñ.
  11. Kees Epskamp. Theatre for Development: An Introduction to Context, Applications and Training. – Ì.: , 2006. – 288 ñ.
  12. Henry Larsen. Spontaneity and Power: Theatre Improvisation as Processes of Change in Organizations. – Ì.: , 2008. – 204 ñ.
  13. Errol G. Hill, James V. Hatch. A History of African American Theatre (Cambridge Studies in American Theatre and Drama). – Ì.: Cambridge University Press, 2003. – 632 ñ.
  14. Christopher Morash. A History of Irish Theatre 1601-2000. – Ì.: , 2004. – 342 ñ.
  15. A History of Theatre in Africa. – Ì.: , 2004. – 496 ñ.
  16. Elaine Aston. Theatre as Sign System: A Semiotics of Text and Performance. – Ì.: Routledge, 1992. – 204 ñ.
  17. Keir Elam. Semiotics of Theatre and Drama (New Accents). – Ì.: Routledge, 2002. – 272 ñ.
  18. Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – Ì.: , 2009. – 235 ñ.
  19. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV. – Ì.: , 2010. – 200 ñ.
  20. John Brown. What is Theatre?. – Ì.: , 2010. – 246 ñ.
  21. Stephen G. Sherwin. Scene Painting Projects for Theatre. – Ì.: , 2010. – 280 ñ.
  22. John Holloway. Illustrated Theatre Production Guide. – Ì.: , 2010. – 424 ñ.
  23. Gavin Carver. Computer Visualization for the Theatre. – Ì.: , 2010. – 240 ñ.
  24. Patricia Baker. Wigs and Make-up for Theatre, TV and Film. – Ì.: , 2010. – 286 ñ.
  25. Clare P. Rowe. Drawing and Rendering for Theatre. – Ì.: , 2010. – 288 ñ.
  26. Deena Kaye. Sound and Music for the Theatre. – Ì.: , 2010. – 344 ñ.
  27. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV {IM}. – Ì.: , 2010. – 0 ñ.
  28. Ben Sammler. Technical Design Solutions for Theatre. – Ì.: , 2010. – 268 ñ.
  29. Richard Cadena. Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment. – Ì.: Focal Press, 2010. – 472 ñ.
  30. C Geertz. Negara – the Theatre State in 19Th Century Bali (Paper). – Ì.: , 1992. – 312 ñ.
  31. Arias–misson. Theatre of Incest. – Ì.: , 2008. – 132 ñ.
  32. Morris S Levy. The King?s Theatre Collection – Ballet and Italian Opera in London 1700–1883. – Ì.: , 2005. – 512 ñ.
  33. Louis Montrose. The Purpose of Playing – Shakespeare & the Cultural Politics of the Elizabethan Theatre (Paper). – Ì.: , 1996. – 242 ñ.
  34. Chris Megson. Naturalism In The Theatre. – Ì.: , 2007. – 264 ñ.
  35. Chris Megson. Naturalism in the Theatre. – Ì.: , 2007. – 264 ñ.
  36. Howard Shubert. Richard Henriquez – Memory Theatre. – Ì.: , 1994. – 84 ñ.
  37. Tennessee Williams. The Theatre of Tennessee Williams – Vieux Carre, a Lovely Sunday for Creve Coeur, Clothes for a Summer Hotel, The Red Devil Battery Sign V 8. – Ì.: , 2001. – 378 ñ.
  38. Ke Maus. Inwardness & Theatre in the English Renaissance (Paper). – Ì.: , 1995. – 232 ñ.
  39. T Williams. Theatre of Tennessee Williams V 6. – Ì.: , 1981. – 0 ñ.
  40. T Williams. The Theatre of Tennessee Williams – In the Bar of a Tokyo Hotel & Other Plays V 7. – Ì.: , 1981. – 0 ñ.
  41. Rc Beacham. The Roman Theatre & its Audience (Paper) (Cobee). – Ì.: , 1996. – 288 ñ.
  42. Richard C. Beacham. The Roman Theatre & its Audience (Cobee). – Ì.: , 1992. – 276 ñ.
  43. H Hunt. The Abbey–Ireland?s National Theatre 1904–1979. – Ì.: , 1979. – 306 ñ.
  44. Tennessee Williams. The Theatre of Tennessee Williams – Vieux Carre, a Lovely Sunday for Creve Coeur, Clothes for a Summer Hotel, The Red Devil Battery Sign V 8. – Ì.: , 1992. – 0 ñ.
  45. Tennessee Williams. The Theatre of Tennessee Williams: Volume 6: 27 Wagons Full of Cotton & Other Short Plays. – Ì.: New Directions Publishing Corporation, 1993. – 368 ñ.
  46. J Birringer. Theatre, Theory, Postmodernism. – Ì.: , 1991. – 256 ñ.
  47. Tennessee Williams. The Theatre of Tennessee Williams – In the Bar of a Tokyo Hotel & Other Plays V 7. – Ì.: , 1995. – 0 ñ.
  48. Tennessee Williams. The Theatre of Tennessee Williams – Sweet Bird of Youth, Period of Adjustment, Night of the Iguana V 4. – Ì.: , 1993. – 0 ñ.
  49. Tennessee Williams. The Theatre of Tennessee Williams – The Milk Train Doesn?t Stop Here Anymore, Kingdom of Earth, Small Craft Warnings, The Two Character Play V 5. – Ì.: , 1976. – 0 ñ.
  50. E Fischer–Lichte. The Semiotics of Theatre. – Ì.: , 1992. – 356 ñ.
  51. James Steele. Theatre Builders. – Ì.: , 1996. – 221 ñ.
  52. Marranca. Theatre of the Ridiculous Revised and Expanded Edition. – Ì.: , 1998. – 232 ñ.
  53. Marranca. Theatre of the Ridiculous, revised and expanded ed ition. – Ì.: , 1998. – 0 ñ.
  54. Tennessee Williams. The Theatre of Tennessee Williams – Battle of Angels, A Streetcar Named Desire, The Glass Menagerie V 1. – Ì.: , 1990. – 0 ñ.
  55. Tennessee Williams. The Theatre of Tennessee Williams – The Milk Train Doesn?t Stop Here Anymore, Kingdom of Earth, Small Craft Warnings, The Two Character Play V 5. – Ì.: , 1991. – 378 ñ.
  56. A Helbo. Approaching Theatre. – Ì.: , 1991. – 240 ñ.
  57. Tennessee Williams. The Theatre of Tennessee Williams – The Eccentricities of a Nightingale, Summer & Smoke, The Rose Tattoo, Camino Real V 2. – Ì.: , 1990. – 0 ñ.
  58. Tennessee Williams. The Theatre of Tennessee Williams – Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer V 3. – Ì.: , 1992. – 0 ñ.
  59. Tennessee Williams. The Theatre of Tennessee Williams – Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer V 3. – Ì.: , 1971. – 0 ñ.
  60. T Williams. Theatre of Tennessee Williams V 2. – Ì.: , 1971. – 0 ñ.
  61. Tennessee Williams. The Theatre of Tennessee Williams – Battle of Angels, A Streetcar Named Desire, The Glass Menagerie V 1. – Ì.: , 1971. – 0 ñ.
  62. Tennessee Williams. The Theatre of Tennessee Williams – Sweet Bird of Youth, Period of Adjustment, Night of the Iguana V 4. – Ì.: , 1972. – 0 ñ.
  63. E Pound. Classic Noh Theatre of Japan. – Ì.: , 1979. – 0 ñ.
  64. Morris S Levy. The King?s Theatre Collection – Ballet and Italian Opera in London 1706–1883 Revised Edition. – Ì.: , 2006. – 554 ñ.
  65. Hc Baldry. Greek Tragic Theatre. – Ì.: , 1973. – 0 ñ.
  66. Sj Alvaro. Plays for a New Theatre. – Ì.: , 1966. – 0 ñ.
  67. M Carlson. Theatre Semiotics. – Ì.: , 1990. – 144 ñ.
  68. Tim Carter. Monteverdi?s Musical Theatre. – Ì.: , 2002. – 336 ñ.
  69. David B Coplan. In Township Tonight! – South Africa?s Black City Music and Theatre 2e. – Ì.: , 2008. – 496 ñ.
  70. O Turnball. Bringing Down the House – The Crisis in Britain?s Regional Theatres. – Ì.: , 2009. – 192 ñ.
  71. A Wyllie. Sex on Stage – Gender and Sexuality in Post–War British Theatre. – Ì.: , 2009. – 188 ñ.
  72. E Van Erven. Radical People?s Theatre. – Ì.: , 1988. – 254 ñ.
  73. Kamal Salhi. African Theatre for Development. – Ì.: , 1998. – 192 ñ.
  74. Jane De Gay. Languages of Theatre Shaped by Women. – Ì.: , 2001. – 128 ñ.
  75. Robert Brustein. Revolution as Theatre. – Ì.: , 2003. – 0 ñ.
  76. Jr Brandon. Theatre in South–East Asia. – Ì.: , 1974. – 383 ñ.
  77. E Siemens. Theatre in Passing – A Moscow Photo–Diary. – Ì.: , 2011. – 144 ñ.
  78. Donna Soto–morettini. The Philosophical Actor – A Practical Meditation for Practicing Theatre Artists. – Ì.: , 2011. – 224 ñ.
  79. James Lawler. Rimbaud?s Theatre of the Self. – Ì.: , 1992. – 256 ñ.
  80. VAN DULMEN. Theatre Of Horror: Crime And Punishment In Early Modern Germany. – Ì.: , 1990. – 0 ñ.
  81. G Fabre. Drumbeats, Masks & Metaphor – Contemporary Afro–American Theatre. – Ì.: , 1984. – 304 ñ.
  82. Luba Kadison. On Stage, Off Stage – Memories of a Lifetime in the Yiddish Theatre. – Ì.: , 1993. – 170 ñ.
  83. Alberto Salazar. Theatre of Memory the Plays of Kalidasa. – Ì.: , 2000. – 200 ñ.
  84. Miller. Theatre of Memory the Plays of Kalidasa (Paper). – Ì.: , 1984. – 387 ñ.
  85. R Brustein. Revolution as Theatre. – Ì.: , 1970. – 0 ñ.
  86. R HAM. Ham: ?theatres? – Planning Guidance For Design & Adaptation. – Ì.: , 1988. – 256 ñ.
  87. Nicholas Ridout. Stage Fright, Animals, and Other Theatrical Problems (Theatre and Performance Theory). – Ì.: , 2006. – 206 ñ.
  88. Anatoly Smeliansky. The Russian Theatre After Stalin. – Ì.: Cambridge University Press, 1999. – 270 ñ.
  89. Sameer Afzal. Pakistani Theatre As Theatre of Prophecy. – Ì.: LAP Lambert Academic Publishing, 2013. – 104 ñ.
  90. Saheed Bello. "Communalysis":A Realist Representation in Nigerian Theatre and Cinema. – Ì.: LAP Lambert Academic Publishing, 2015. – 72 ñ.
  91. Julieth Timoth Kabyemela. Theatre for Women Empowerment and Development. – Ì.: LAP Lambert Academic Publishing, 2012. – 132 ñ.
  92. Nasser Aghai. The development of Western Theatre in Iran. – Ì.: LAP Lambert Academic Publishing, 2012. – 196 ñ.
  93. Rethabile Malibo. Using popular participatory theatre as a research method. Lesotho. – Ì.: LAP Lambert Academic Publishing, 2014. – 156 ñ.
  94. Omotayo Oloruntoba-Oju. African Theatre Aesthetics. – Ì.: LAP Lambert Academic Publishing, 2014. – 252 ñ.
  95. Cornelia Faasen. Theatre as Alternative Historical Narrative. – Ì.: LAP Lambert Academic Publishing, 2009. – 128 ñ.
  96. Edwin Creely. THE FORMATION OF A THEATRICAL WORK IN A COMMUNITY THEATRE CONTEXT. – Ì.: LAP Lambert Academic Publishing, 2010. – 312 ñ.
  97. Christina Gkatzioli. Teaching ancient Greek Theatre in English Secondary School. – Ì.: LAP Lambert Academic Publishing, 2011. – 184 ñ.
  98. Esekong Andrew. Developing Indigenous Colour Pigments for the Theatre in Nigeria. – Ì.: LAP Lambert Academic Publishing, 2013. – 180 ñ.
  99. Zerihun Birehanu Sira. Ethiopian Theatre. – Ì.: LAP Lambert Academic Publishing, 2014. – 100 ñ.
  100. Buket Dogan. Shakespeare''s HAMLET as a Precursor of the Theatre of the Absurd. – Ì.: LAP Lambert Academic Publishing, 2010. – 200 ñ.
  101. Rosemary Parsons. Group Devised Theatre. – Ì.: LAP Lambert Academic Publishing, 2010. – 240 ñ.
  102. Kennedy Chinyowa. Play as Aesthetic in African Theatre for Development. – Ì.: LAP Lambert Academic Publishing, 2010. – 380 ñ.
  103. Kennedy Chinyowa. Communicating Development through Applied Theatre. – Ì.: LAP Lambert Academic Publishing, 2010. – 116 ñ.
  104. Iris Hsin-chun Tuan. Intercultural Theatre. – Ì.: LAP Lambert Academic Publishing, 2009. – 240 ñ.
  105. Caroline Heim. Theatre Audience Contribution. – Ì.: LAP Lambert Academic Publishing, 2010. – 268 ñ.
  106. Simon Peter Otieno. Modes and Codes: Theatre on HIV/AIDS in Kenya, Uganda and South Africa. – Ì.: LAP Lambert Academic Publishing, 2011. – 276 ñ.
  107. Edwin Creely. A Study of Actors’ Experiences of Performing in Theatre. – Ì.: LAP Lambert Academic Publishing, 2012. – 332 ñ.
  108. Mark James Hamilton. Martial Dance Theatre: Intercultural Negotiation Masculine Identities. – Ì.: LAP Lambert Academic Publishing, 2013. – 316 ñ.
  109. Larissa Kruesi. Environmental Theatre and the Second Circle. – Ì.: LAP Lambert Academic Publishing, 2013. – 116 ñ.
  110. Nkululeko Sibanda. The Politics of Design in Community Theatre Performances. – Ì.: LAP Lambert Academic Publishing, 2014. – 108 ñ.
  111. Subhash Jaireth. Time and Space in Edvard Radzinskii's Trilogy Theatre of the Times. – Ì.: LAP Lambert Academic Publishing, 2011. – 240 ñ.
  112. Tatyana Shestakov. Theatre Translation Is All About Interpretation. – Ì.: LAP Lambert Academic Publishing, 2011. – 108 ñ.
  113. Kingsley O. Chima. Maxi-Motivational Management Concept in Live Theatre. – Ì.: LAP Lambert Academic Publishing, 2011. – 128 ñ.
  114. Kalle Covert. Opera Delaware''s Family Opera Theatre 1982-2002. – Ì.: LAP Lambert Academic Publishing, 2010. – 160 ñ.
  115. Charles Kebaya. Federico Garcia Lorca's Subversive Theatre. – Ì.: LAP Lambert Academic Publishing, 2011. – 324 ñ.
  116. Hemangi Bhagwat. Political Theatre of Bertolt Brecht. – Ì.: LAP Lambert Academic Publishing, 2014. – 192 ñ.
  117. Jennifer Hamm. Drama and Theatre Strategies for ELD Students. – Ì.: LAP Lambert Academic Publishing, 2010. – 68 ñ.
  118. Swati Aggarwal. Quality Assurance in Operation Theatres. – Ì.: LAP Lambert Academic Publishing, 2011. – 92 ñ.
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  120. UBONG NDA. The Theatre and Envronmental Conservation. – Ì.: LAP Lambert Academic Publishing, 2010. – 276 ñ.
  121. Lindsay Genshaft. Bridging Theatre and Visual Art. – Ì.: LAP Lambert Academic Publishing, 2012. – 152 ñ.
  122. Alain Badiou,Nicolas Truong. In Praise of Theatre. – Ì.: , 2015. –  ñ.
  123. Alain Badiou,Nicolas Truong. In Praise of Theatre. – Ì.: , 2015. –  ñ.

Äîïîëíèòåëüíûå ðåçóëüòàòû

  1. Philip Kotler, Joanne Scheff. Standing Room Only: Strategies for Marketing the Performing Arts. – Ì.: Harvard Business School Press, 1997. – 560 ñ.
  2. Robert H. Fuller. Jubilee Jim: From Circus Traveler to Wall Street Rogue: The Remarkable Life Of Colonel James Fisk, Jr. (Legends of Commerce). – Ì.: , 0. – 0 ñ.
  3. Colette A. Hyman. Staging Strikes: Workers' Theatre and the American Labor Movement (Critical Perspectives on the Past). – Ì.: , 0. – 0 ñ.
  4. Jane Stephens, Stephen Zades. Mad Dogs, Dreamers and Sages: Growth in the Age of Ideas. – Ì.: , 0. – 0 ñ.
  5. Norman Lofts. Process Visualization: An Executive Guide to Business Process Design. – Ì.: , 0. – 0 ñ.
  6. Richard E. Caves. Creative Industries: Contracts Between Art & Commerce. – Ì.: , 0. – 0 ñ.
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  8. Benjamin Shepard, Ronald Hayduk. From ACT UP to the WTO: Urban Protest and Community Building in the Era of Globalization. – Ì.: , 0. – 0 ñ.
  9. Kat Koppett. Training to Imagine: Practical Improvisational Theatre Techniques to Enhance Creativity, Teamwork, Leadership, and Learning. – Ì.: , 0. – 0 ñ.
  10. Chris Mackowski. The PR Bible for Community Theatres. – Ì.: , 0. – 0 ñ.
  11. Andrew Leigh. DRAMATIC Success at Work : Using Theatre Skills to Improve Your Performance and Transform Your Business Life. – Ì.: , 2004. – 0 ñ.
  12. Julie McCarthy. Enacting Participatory Development: Theatre-based Techniques. – Ì.: Earthscan, 2005. – 176 ñ.
  13. Quotable Opera: Aria Ready for a Laugh? (Quotable Books). – Ì.: , 2003. – 136 ñ.
  14. David S. Nichols. Return on Ideas: A Practical Guide to Making Innovation Pay. – Ì.: , 2007. – 280 ñ.
  15. Maurya Wickstrom. Performing Consumers: Global Capital and Its Theatrical Seductions. – Ì.: , 2006. – 169 ñ.
  16. Paul Atkinson. Everyday Arias: An Operatic Ethnography. – Ì.: , 2006. – 224 ñ.
  17. Gerald Bordman, Thomas S. Hischak. The Oxford Companion to American Theatre. – Ì.: , 2004. – 696 ñ.
  18. Felix Guattari. The Anti-Oedipus Papers (Semiotext(e) / Foreign Agents). – Ì.: , 2006. – 384 ñ.
  19. Elizabeth Brayer. George Eastman : A Biography. – Ì.: , 2006. – 654 ñ.
  20. Angie Chabram-Dernersesian. The Chicana/o Cultural Studies Reader. – Ì.: , 2006. – 525 ñ.
  21. William Missouri Downs, Wright, Erik Ramsey. Experiencing the Art of Theatre: A Concise Introduction (Wadsworth Series in Theatre). – Ì.: , 2006. – 416 ñ.
  22. William Missouri Downs, Wright, Erik Ramsey. The Art of Theatre: Then and Now. – Ì.: , 2006. – 480 ñ.
  23. Kees Epskamp. Theatre for Development: An Introduction to Context, Applications and Training. – Ì.: , 2006. – 288 ñ.
  24. Richard Weston. Alvar Aalto. – Ì.: Phaidon, 1997. – 240 ñ.
  25. Max Kozloff. The Theatre of the Face: Portrait Photography Since 1900. – Ì.: , 2007. – 416 ñ.
  26. Jay Conrad Levinson, Brad Lovejoy. Guerrilla Street Team Guide: Helping Teamers and Business People Alike Utilize Guerrilla Marketing Strategies on the Grassroots Level to Reach People Not Typically Exposed to Traditional Advertising. – Ì.: , 2008. – 110 ñ.
  27. Bernard Reviczky. Legal Risk Management for Hospitals in Austria: Liabilities of the Hospital Management and the Legally and Economically Responsibile Body of the Hospital. – Ì.: , 2008. – 88 ñ.
  28. Henry Larsen. Spontaneity and Power: Theatre Improvisation as Processes of Change in Organizations. – Ì.: , 2008. – 204 ñ.
  29. Vincent E Marini Sr. MAIL CALL a soldier's worst nightmare & RECALL the rest of my story: A Memoir. – Ì.: , 2010. – 280 ñ.
  30. Errol G. Hill, James V. Hatch. A History of African American Theatre (Cambridge Studies in American Theatre and Drama). – Ì.: Cambridge University Press, 2003. – 632 ñ.
  31. Christopher Morash. A History of Irish Theatre 1601-2000. – Ì.: , 2004. – 342 ñ.
  32. A History of Theatre in Africa. – Ì.: , 2004. – 496 ñ.
  33. Elaine Aston. Theatre as Sign System: A Semiotics of Text and Performance. – Ì.: Routledge, 1992. – 204 ñ.
  34. Keir Elam. Semiotics of Theatre and Drama (New Accents). – Ì.: Routledge, 2002. – 272 ñ.
  35. Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – Ì.: , 2009. – 235 ñ.
  36. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV. – Ì.: , 2010. – 200 ñ.
  37. John Brown. What is Theatre?. – Ì.: , 2010. – 246 ñ.
  38. Stephen G. Sherwin. Scene Painting Projects for Theatre. – Ì.: , 2010. – 280 ñ.
  39. John Holloway. Illustrated Theatre Production Guide. – Ì.: , 2010. – 424 ñ.
  40. Gavin Carver. Computer Visualization for the Theatre. – Ì.: , 2010. – 240 ñ.
  41. Patricia Baker. Wigs and Make-up for Theatre, TV and Film. – Ì.: , 2010. – 286 ñ.
  42. Clare P. Rowe. Drawing and Rendering for Theatre. – Ì.: , 2010. – 288 ñ.
  43. Deena Kaye. Sound and Music for the Theatre. – Ì.: , 2010. – 344 ñ.
  44. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV {IM}. – Ì.: , 2010. – 0 ñ.
  45. Ben Sammler. Technical Design Solutions for Theatre. – Ì.: , 2010. – 268 ñ.
  46. Richard Cadena. Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment. – Ì.: Focal Press, 2010. – 472 ñ.
  47. C Geertz. Negara – the Theatre State in 19Th Century Bali (Paper). – Ì.: , 1992. – 312 ñ.
  48. Arias–misson. Theatre of Incest. – Ì.: , 2008. – 132 ñ.
  49. Morris S Levy. The King?s Theatre Collection – Ballet and Italian Opera in London 1700–1883. – Ì.: , 2005. – 512 ñ.
  50. Louis Montrose. The Purpose of Playing – Shakespeare & the Cultural Politics of the Elizabethan Theatre (Paper). – Ì.: , 1996. – 242 ñ.
  51. Chris Megson. Naturalism In The Theatre. – Ì.: , 2007. – 264 ñ.
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  53. Howard Shubert. Richard Henriquez – Memory Theatre. – Ì.: , 1994. – 84 ñ.
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  55. Ke Maus. Inwardness & Theatre in the English Renaissance (Paper). – Ì.: , 1995. – 232 ñ.
  56. T Williams. Theatre of Tennessee Williams V 6. – Ì.: , 1981. – 0 ñ.
  57. T Williams. The Theatre of Tennessee Williams – In the Bar of a Tokyo Hotel & Other Plays V 7. – Ì.: , 1981. – 0 ñ.
  58. Rc Beacham. The Roman Theatre & its Audience (Paper) (Cobee). – Ì.: , 1996. – 288 ñ.
  59. Richard C. Beacham. The Roman Theatre & its Audience (Cobee). – Ì.: , 1992. – 276 ñ.
  60. H Hunt. The Abbey–Ireland?s National Theatre 1904–1979. – Ì.: , 1979. – 306 ñ.
  61. Tennessee Williams. The Theatre of Tennessee Williams – Vieux Carre, a Lovely Sunday for Creve Coeur, Clothes for a Summer Hotel, The Red Devil Battery Sign V 8. – Ì.: , 1992. – 0 ñ.
  62. Tennessee Williams. The Theatre of Tennessee Williams: Volume 6: 27 Wagons Full of Cotton & Other Short Plays. – Ì.: New Directions Publishing Corporation, 1993. – 368 ñ.
  63. J Birringer. Theatre, Theory, Postmodernism. – Ì.: , 1991. – 256 ñ.
  64. Tennessee Williams. The Theatre of Tennessee Williams – In the Bar of a Tokyo Hotel & Other Plays V 7. – Ì.: , 1995. – 0 ñ.
  65. Tennessee Williams. The Theatre of Tennessee Williams – Sweet Bird of Youth, Period of Adjustment, Night of the Iguana V 4. – Ì.: , 1993. – 0 ñ.
  66. Tennessee Williams. The Theatre of Tennessee Williams – The Milk Train Doesn?t Stop Here Anymore, Kingdom of Earth, Small Craft Warnings, The Two Character Play V 5. – Ì.: , 1976. – 0 ñ.
  67. E Fischer–Lichte. The Semiotics of Theatre. – Ì.: , 1992. – 356 ñ.
  68. James Steele. Theatre Builders. – Ì.: , 1996. – 221 ñ.
  69. Marranca. Theatre of the Ridiculous Revised and Expanded Edition. – Ì.: , 1998. – 232 ñ.
  70. Marranca. Theatre of the Ridiculous, revised and expanded ed ition. – Ì.: , 1998. – 0 ñ.
  71. Tennessee Williams. The Theatre of Tennessee Williams – Battle of Angels, A Streetcar Named Desire, The Glass Menagerie V 1. – Ì.: , 1990. – 0 ñ.
  72. Tennessee Williams. The Theatre of Tennessee Williams – The Milk Train Doesn?t Stop Here Anymore, Kingdom of Earth, Small Craft Warnings, The Two Character Play V 5. – Ì.: , 1991. – 378 ñ.
  73. A Helbo. Approaching Theatre. – Ì.: , 1991. – 240 ñ.
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