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Результаты поиска

Поиск материалов

Лучшие результаты

  1. Elaine Aston. Theatre as Sign System: A Semiotics of Text and Performance. – М.: Routledge, 1992. – 204 с.
  2. Keir Elam. Semiotics of Theatre and Drama (New Accents). – М.: Routledge, 2002. – 272 с.
  3. E Fischer–Lichte. The Semiotics of Theatre. – М.: , 1992. – 356 с.
  4. M Carlson. Theatre Semiotics. – М.: , 1990. – 144 с.

Дополнительные результаты

  1. International Workshop of Organisational Semiotics 2000 Staffordshire, Rodney J. Clarke, Peter Bogh Andersen, Ronald K. Stamper. Coordination and Communication Using Signs: Studies in Organisational Semiotics 2 (Information and Organization Design Series). – М.: , 0. – 0 с.
  2. Kecheng Liu, Rodney J. Clarke, Peter Bogh Andersen, Ronald K. Stamper, El-Sayed Abou-Zeid. Organizational Semiotics: Evolving a Science of Information Systems : Ifip Tc8/Wg8.1 Working Conference on Organizational Semiotics, Evolving a Science of Information Systems (Ifip International Federation for Information Processing, 227). – М.: , 0. – 0 с.
  3. Chris Mackowski. The PR Bible for Community Theatres. – М.: , 0. – 0 с.
  4. Virtual, Distributed and Flexible Organisations : Studies in Organisational Semiotics. – М.: , 2004. – 0 с.
  5. Julie McCarthy. Enacting Participatory Development: Theatre-based Techniques. – М.: Earthscan, 2005. – 176 с.
  6. Ron Beasley, Marcel Danesi. Persuasive Signs: The Semiotics of Advertising (Approaches to Applied Semiotics, 4). – М.: Walter de Gruyter, 2002. – 193 с.
  7. Gerald Bordman, Thomas S. Hischak. The Oxford Companion to American Theatre. – М.: , 2004. – 696 с.
  8. William Missouri Downs, Wright, Erik Ramsey. Experiencing the Art of Theatre: A Concise Introduction (Wadsworth Series in Theatre). – М.: , 2006. – 416 с.
  9. William Missouri Downs, Wright, Erik Ramsey. The Art of Theatre: Then and Now. – М.: , 2006. – 480 с.
  10. Kees Epskamp. Theatre for Development: An Introduction to Context, Applications and Training. – М.: , 2006. – 288 с.
  11. Henry Larsen. Spontaneity and Power: Theatre Improvisation as Processes of Change in Organizations. – М.: , 2008. – 204 с.
  12. Peter Bxgh Andersen, J. Long. A Theory of Computer Semiotics : Semiotic Approaches to Construction and Assessment of Computer Systems (Cambridge Series on Human-Computer Interaction). – М.: , 0. – 0 с.
  13. Errol G. Hill, James V. Hatch. A History of African American Theatre (Cambridge Studies in American Theatre and Drama). – М.: Cambridge University Press, 2003. – 632 с.
  14. Christopher Morash. A History of Irish Theatre 1601-2000. – М.: , 2004. – 342 с.
  15. A History of Theatre in Africa. – М.: , 2004. – 496 с.
  16. Elaine Aston. Theatre as Sign System: A Semiotics of Text and Performance. – М.: Routledge, 1992. – 204 с.
  17. Keir Elam. Semiotics of Theatre and Drama (New Accents). – М.: Routledge, 2002. – 272 с.
  18. Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – М.: , 2009. – 235 с.
  19. Marcel Danesi. Problem-Solving in Mathematics: A Semiotic Perspective for Educators and Teachers (Critic of Institutions). – М.: , 2008. – 244 с.
  20. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV. – М.: , 2010. – 200 с.
  21. John Brown. What is Theatre?. – М.: , 2010. – 246 с.
  22. Stephen G. Sherwin. Scene Painting Projects for Theatre. – М.: , 2010. – 280 с.
  23. John Holloway. Illustrated Theatre Production Guide. – М.: , 2010. – 424 с.
  24. Gavin Carver. Computer Visualization for the Theatre. – М.: , 2010. – 240 с.
  25. Patricia Baker. Wigs and Make-up for Theatre, TV and Film. – М.: , 2010. – 286 с.
  26. Clare P. Rowe. Drawing and Rendering for Theatre. – М.: , 2010. – 288 с.
  27. Deena Kaye. Sound and Music for the Theatre. – М.: , 2010. – 344 с.
  28. Rafael Jaen. Developing and Maintaining a Design-Tech Portfolio: A Guide for Theatre, Film & TV {IM}. – М.: , 2010. – 0 с.
  29. Ben Sammler. Technical Design Solutions for Theatre. – М.: , 2010. – 268 с.
  30. Richard Cadena. Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment. – М.: Focal Press, 2010. – 472 с.
  31. C Geertz. Negara – the Theatre State in 19Th Century Bali (Paper). – М.: , 1992. – 312 с.
  32. Arias–misson. Theatre of Incest. – М.: , 2008. – 132 с.
  33. John N Deely. Intentionality and Semiotics – A Story of Mutual Fecundation. – М.: , 2007. – 218 с.
  34. L Matejka. Semiotics of Art – Prague School Contributions. – М.: , 1976. – 0 с.
  35. Morris S Levy. The King?s Theatre Collection – Ballet and Italian Opera in London 1700–1883. – М.: , 2005. – 512 с.
  36. Louis Montrose. The Purpose of Playing – Shakespeare & the Cultural Politics of the Elizabethan Theatre (Paper). – М.: , 1996. – 242 с.
  37. Chris Megson. Naturalism In The Theatre. – М.: , 2007. – 264 с.
  38. Chris Megson. Naturalism in the Theatre. – М.: , 2007. – 264 с.
  39. Howard Shubert. Richard Henriquez – Memory Theatre. – М.: , 1994. – 84 с.
  40. Tennessee Williams. The Theatre of Tennessee Williams – Vieux Carre, a Lovely Sunday for Creve Coeur, Clothes for a Summer Hotel, The Red Devil Battery Sign V 8. – М.: , 2001. – 378 с.
  41. Ke Maus. Inwardness & Theatre in the English Renaissance (Paper). – М.: , 1995. – 232 с.
  42. T Williams. Theatre of Tennessee Williams V 6. – М.: , 1981. – 0 с.
  43. T Williams. The Theatre of Tennessee Williams – In the Bar of a Tokyo Hotel & Other Plays V 7. – М.: , 1981. – 0 с.
  44. Rc Beacham. The Roman Theatre & its Audience (Paper) (Cobee). – М.: , 1996. – 288 с.
  45. Richard C. Beacham. The Roman Theatre & its Audience (Cobee). – М.: , 1992. – 276 с.
  46. H Hunt. The Abbey–Ireland?s National Theatre 1904–1979. – М.: , 1979. – 306 с.
  47. Tennessee Williams. The Theatre of Tennessee Williams – Vieux Carre, a Lovely Sunday for Creve Coeur, Clothes for a Summer Hotel, The Red Devil Battery Sign V 8. – М.: , 1992. – 0 с.
  48. Tennessee Williams. The Theatre of Tennessee Williams: Volume 6: 27 Wagons Full of Cotton & Other Short Plays. – М.: New Directions Publishing Corporation, 1993. – 368 с.
  49. J Birringer. Theatre, Theory, Postmodernism. – М.: , 1991. – 256 с.
  50. Tennessee Williams. The Theatre of Tennessee Williams – In the Bar of a Tokyo Hotel & Other Plays V 7. – М.: , 1995. – 0 с.
  51. Tennessee Williams. The Theatre of Tennessee Williams – Sweet Bird of Youth, Period of Adjustment, Night of the Iguana V 4. – М.: , 1993. – 0 с.
  52. J Deely. Basics of Semiotics (Paper). – М.: , 1990. – 168 с.
  53. Tennessee Williams. The Theatre of Tennessee Williams – The Milk Train Doesn?t Stop Here Anymore, Kingdom of Earth, Small Craft Warnings, The Two Character Play V 5. – М.: , 1976. – 0 с.
  54. E Fischer–Lichte. The Semiotics of Theatre. – М.: , 1992. – 356 с.
  55. James Steele. Theatre Builders. – М.: , 1996. – 221 с.
  56. Marranca. Theatre of the Ridiculous Revised and Expanded Edition. – М.: , 1998. – 232 с.
  57. Marranca. Theatre of the Ridiculous, revised and expanded ed ition. – М.: , 1998. – 0 с.
  58. Tennessee Williams. The Theatre of Tennessee Williams – Battle of Angels, A Streetcar Named Desire, The Glass Menagerie V 1. – М.: , 1990. – 0 с.
  59. Tennessee Williams. The Theatre of Tennessee Williams – The Milk Train Doesn?t Stop Here Anymore, Kingdom of Earth, Small Craft Warnings, The Two Character Play V 5. – М.: , 1991. – 378 с.
  60. A Helbo. Approaching Theatre. – М.: , 1991. – 240 с.
  61. Tennessee Williams. The Theatre of Tennessee Williams – The Eccentricities of a Nightingale, Summer & Smoke, The Rose Tattoo, Camino Real V 2. – М.: , 1990. – 0 с.
  62. Tennessee Williams. The Theatre of Tennessee Williams – Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer V 3. – М.: , 1992. – 0 с.
  63. W Noth. Hdbk of Semiotics. – М.: , 1990. – 588 с.
  64. W Noth. Hdbk of Semiotics (Paper). – М.: , 1995. – 588 с.
  65. Lucid. Soviet Semiotics. – М.: , 1977. – 0 с.
  66. Tennessee Williams. The Theatre of Tennessee Williams – Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer V 3. – М.: , 1971. – 0 с.
  67. T Williams. Theatre of Tennessee Williams V 2. – М.: , 1971. – 0 с.
  68. Tennessee Williams. The Theatre of Tennessee Williams – Battle of Angels, A Streetcar Named Desire, The Glass Menagerie V 1. – М.: , 1971. – 0 с.
  69. Tennessee Williams. The Theatre of Tennessee Williams – Sweet Bird of Youth, Period of Adjustment, Night of the Iguana V 4. – М.: , 1972. – 0 с.
  70. Y LOTMAN. Lotman: Universe Of The Mind: A Semiotic Theory Of Culture. – М.: , 1991. – 300 с.
  71. E Pound. Classic Noh Theatre of Japan. – М.: , 1979. – 0 с.
  72. Morris S Levy. The King?s Theatre Collection – Ballet and Italian Opera in London 1706–1883 Revised Edition. – М.: , 2006. – 554 с.
  73. G Calbris. The Semiotics of French Gestures. – М.: , 1990. – 256 с.
  74. Muller. Peirce, Semiotics and Psychoanalysis. – М.: , 2000. – 232 с.
  75. Hc Baldry. Greek Tragic Theatre. – М.: , 1973. – 0 с.
  76. Sj Alvaro. Plays for a New Theatre. – М.: , 1966. – 0 с.
  77. M Carlson. Theatre Semiotics. – М.: , 1990. – 144 с.
  78. Raymond Monelle. The Sense of Music – Semiotic Essays. – М.: , 2000. – 264 с.
  79. Tim Carter. Monteverdi?s Musical Theatre. – М.: , 2002. – 336 с.
  80. David B Coplan. In Township Tonight! – South Africa?s Black City Music and Theatre 2e. – М.: , 2008. – 496 с.
  81. J S Van Buren. The Modernist Madonna – Semiotics of Thematernal Metaphor. – М.: , 1989. – 240 с.
  82. F Saint–Martin. Semiotics of Visual Language. – М.: , 1990. – 270 с.
  83. O Turnball. Bringing Down the House – The Crisis in Britain?s Regional Theatres. – М.: , 2009. – 192 с.
  84. A Wyllie. Sex on Stage – Gender and Sexuality in Post–War British Theatre. – М.: , 2009. – 188 с.
  85. J Deely. Frontiers in Semiotics. – М.: , 1986. – 352 с.
  86. E Van Erven. Radical People?s Theatre. – М.: , 1988. – 254 с.
  87. Kamal Salhi. African Theatre for Development. – М.: , 1998. – 192 с.
  88. Jane De Gay. Languages of Theatre Shaped by Women. – М.: , 2001. – 128 с.
  89. Robert Brustein. Revolution as Theatre. – М.: , 2003. – 0 с.
  90. Jr Brandon. Theatre in South–East Asia. – М.: , 1974. – 383 с.
  91. E Tarasti. Musical Semiotics in Growth (Paper). – М.: , 1996. – 660 с.
  92. J J Liszka. The Semiotic of Myth. – М.: , 1990. – 256 с.
  93. E Siemens. Theatre in Passing – A Moscow Photo–Diary. – М.: , 2011. – 144 с.
  94. Donna Soto–morettini. The Philosophical Actor – A Practical Meditation for Practicing Theatre Artists. – М.: , 2011. – 224 с.
  95. HODGE. Social Semiotics. – М.: , 1988. – 0 с.
  96. Edited by Anne Wagner, Tracey Summerfield and Farid Samir Benavides Vanegas. Contemporary Issues of the Semiotics of Law. – М.: , 2011. – 280 с.
  97. Edited by Anne Wagner, Tracey Summerfield and Farid Samir Benavides Vanegas. Contemporary Issues of the Semiotics of Law. – М.: , 2011. – 286 с.
  98. Virtual, Distributed and Flexible Organisations: Studies in Organisational Semiotics. – М.: , 2011. – 312 с.
  99. James Lawler. Rimbaud?s Theatre of the Self. – М.: , 1992. – 256 с.
  100. L Weir. Writing Joyce – A Semiotics of the Joyce System. – М.: , 1989. – 152 с.
  101. VAN DULMEN. Theatre Of Horror: Crime And Punishment In Early Modern Germany. – М.: , 1990. – 0 с.
  102. T LAURETIS. Lauretis: Alice Doesn?t: Feminism, Semiotics, Cinema C+s (cloth). – М.: , 1984. – 232 с.
  103. J DEELY. Deely: Basics Of Semiotics (cloth). – М.: , 1990. – 168 с.
  104. G Fabre. Drumbeats, Masks & Metaphor – Contemporary Afro–American Theatre. – М.: , 1984. – 304 с.
  105. S Shaumyan. A Semiotic Theory of Language. – М.: , 1987. – 368 с.
  106. Luba Kadison. On Stage, Off Stage – Memories of a Lifetime in the Yiddish Theatre. – М.: , 1993. – 170 с.
  107. M De Marinis. The Semiotics of Performance. – М.: , 1993. – 272 с.
  108. Alberto Salazar. Theatre of Memory the Plays of Kalidasa. – М.: , 2000. – 200 с.
  109. Miller. Theatre of Memory the Plays of Kalidasa (Paper). – М.: , 1984. – 387 с.
  110. R Brustein. Revolution as Theatre. – М.: , 1970. – 0 с.
  111. R HAM. Ham: ?theatres? – Planning Guidance For Design & Adaptation. – М.: , 1988. – 256 с.
  112. Thomas Sebeok. Signs: An Introduction to Semiotics. – М.: University of Toronto Press, 1994. – 154 с.
  113. А.Н. Баранов, Д.О. Добровольский, М.Н. Михайлов, П.Б. Паршин, О.И. Романова. Англо-русский словарь по лингвистике и семиотике. Том II/English-Russian Dictionary of Linguistics and Semiotics. Volume II. – М.: Едиториал УРСС, 2002. – 288 с.
  114. Nicholas Ridout. Stage Fright, Animals, and Other Theatrical Problems (Theatre and Performance Theory). – М.: , 2006. – 206 с.
  115. Anatoly Smeliansky. The Russian Theatre After Stalin. – М.: Cambridge University Press, 1999. – 270 с.
  116. Sameer Afzal. Pakistani Theatre As Theatre of Prophecy. – М.: LAP Lambert Academic Publishing, 2013. – 104 с.
  117. Adegoke Adetunji. Social Semiotics and Television Advertisements: Nigerian Example. – М.: LAP Lambert Academic Publishing, 2011. – 132 с.
  118. Saheed Bello. "Communalysis":A Realist Representation in Nigerian Theatre and Cinema. – М.: LAP Lambert Academic Publishing, 2015. – 72 с.
  119. Julieth Timoth Kabyemela. Theatre for Women Empowerment and Development. – М.: LAP Lambert Academic Publishing, 2012. – 132 с.
  120. Nasser Aghai. The development of Western Theatre in Iran. – М.: LAP Lambert Academic Publishing, 2012. – 196 с.
  121. Rethabile Malibo. Using popular participatory theatre as a research method. Lesotho. – М.: LAP Lambert Academic Publishing, 2014. – 156 с.
  122. Omotayo Oloruntoba-Oju. African Theatre Aesthetics. – М.: LAP Lambert Academic Publishing, 2014. – 252 с.
  123. Cornelia Faasen. Theatre as Alternative Historical Narrative. – М.: LAP Lambert Academic Publishing, 2009. – 128 с.
  124. Edwin Creely. THE FORMATION OF A THEATRICAL WORK IN A COMMUNITY THEATRE CONTEXT. – М.: LAP Lambert Academic Publishing, 2010. – 312 с.
  125. Christina Gkatzioli. Teaching ancient Greek Theatre in English Secondary School. – М.: LAP Lambert Academic Publishing, 2011. – 184 с.
  126. Esekong Andrew. Developing Indigenous Colour Pigments for the Theatre in Nigeria. – М.: LAP Lambert Academic Publishing, 2013. – 180 с.
  127. Zerihun Birehanu Sira. Ethiopian Theatre. – М.: LAP Lambert Academic Publishing, 2014. – 100 с.
  128. Buket Dogan. Shakespeare''s HAMLET as a Precursor of the Theatre of the Absurd. – М.: LAP Lambert Academic Publishing, 2010. – 200 с.
  129. Rosemary Parsons. Group Devised Theatre. – М.: LAP Lambert Academic Publishing, 2010. – 240 с.
  130. Kennedy Chinyowa. Play as Aesthetic in African Theatre for Development. – М.: LAP Lambert Academic Publishing, 2010. – 380 с.
  131. Kennedy Chinyowa. Communicating Development through Applied Theatre. – М.: LAP Lambert Academic Publishing, 2010. – 116 с.
  132. Iris Hsin-chun Tuan. Intercultural Theatre. – М.: LAP Lambert Academic Publishing, 2009. – 240 с.
  133. Caroline Heim. Theatre Audience Contribution. – М.: LAP Lambert Academic Publishing, 2010. – 268 с.
  134. Simon Peter Otieno. Modes and Codes: Theatre on HIV/AIDS in Kenya, Uganda and South Africa. – М.: LAP Lambert Academic Publishing, 2011. – 276 с.
  135. Edwin Creely. A Study of Actors’ Experiences of Performing in Theatre. – М.: LAP Lambert Academic Publishing, 2012. – 332 с.
  136. Mark James Hamilton. Martial Dance Theatre: Intercultural Negotiation Masculine Identities. – М.: LAP Lambert Academic Publishing, 2013. – 316 с.
  137. Larissa Kruesi. Environmental Theatre and the Second Circle. – М.: LAP Lambert Academic Publishing, 2013. – 116 с.
  138. Nkululeko Sibanda. The Politics of Design in Community Theatre Performances. – М.: LAP Lambert Academic Publishing, 2014. – 108 с.
  139. Subhash Jaireth. Time and Space in Edvard Radzinskii's Trilogy Theatre of the Times. – М.: LAP Lambert Academic Publishing, 2011. – 240 с.
  140. Tatyana Shestakov. Theatre Translation Is All About Interpretation. – М.: LAP Lambert Academic Publishing, 2011. – 108 с.

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Наталья, 11.02
Марина, спасибо Вам огромное, очень хорошая работа, защитила на отлично. Самой было интересно читать. :-)