Год выпуска: 2010 Автор: Paul Fleet Издательство: LAP Lambert Academic Publishing Страниц: 276 ISBN: 9783838323909
Описание
This book explores the various reconstructions of Ferruccio Busoni (1866-1924) as a musician and an aesthetician, and then demonstrates how Husserlian Phenomenology can act as a complementary structure to Busoni''s music and aesthetic beliefs. Prior models of phenomenological analysis are discussed, and a fresh methodology is introduced alongside a new form of analysis: Temporal Intentionality Graphs. Further, a new term is created, metatonal, which reflects music like Busoni''s that is both ‘with'' and ‘after'' tonality but is not ‘free atonal'' in the manner of the Second Viennese School nor just a matter of tonal harmony with chromatic colouration. Five analyses are presented that employ this new methodology and which uncover the inner workings of Busoni''s compositions: Nach der Wendung (1907), Fantasia nach J.S. Bach (1909), Berceuse Elegiaque (1909), Sonatina Seconda (1912) and Nocturne Symphonique (1913). The book concludes with a critical appraisal of the method and its...
