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Âîñïîëüçóéòåñü ôîðìîé ïîèñêà ïî ñàéòó, ÷òîáû ïîäîáðàòü ïîëíûé ñïèñîê èñïîëüçîâàííîé ëèòåðàòóðû.
Åñëè âû õîòèòå âûáðàòü äëÿ ñïèñêà ëèòåðàòóðû êíèãè îïðåäåëåííîãî ãîäà èçäàíèÿ, äîñòàòî÷íî äîïèñàòü åãî ê ïîèñêîâîìó çàïðîñó.
Ðåçóëüòàòû ïîèñêà
Ëó÷øèå ðåçóëüòàòû- Roger Sabin. Comics, Comix and Graphic Novels: A History of Comic Art. – Ì.: , 2001. – 240 ñ.
- Napoleon Hill. Think and Grow Rich. – Ì.: , 2012. – 238 ñ.
- Brian Jeffries. How to Start a Record Label (Volume 1). – Ì.: , 2012. – 34 ñ.
- William C. Byham, Jeff Cox. Heroz: Empower Yourself, Your Coworkers, Your Company. – Ì.: , 0. – 0 ñ.
- Charles Decker. Lessons from the Hive : The Buzz on Surviving and Thriving in an Ever-Changing Workplace. – Ì.: , 0. – 0 ñ.
- Catherine Nickerson. Playing The Corporate Language Game. An investigation of the genres and discourse strategies in English used by Dutch writers working in multinational corporations. (Utrecht Studies in Language and Communication 15). – Ì.: , 0. – 0 ñ.
- Robert G. Allen. Multiple Streams of Internet Income. – Ì.: Wiley, 2001. – 288 ñ.
- Raising Entrepreneurial Capital. – Ì.: , 0. – 0 ñ.
- Barbara Czarniawska. Narrating the Organization: Dramas of Institutional Identity (New Practices of Inquiry). – Ì.: , 0. – 0 ñ.
- Andrew Rollings, Ernest Adams. Andrew Rollings and Ernest Adams on Game Design. – Ì.: New Riders Games, 2003. – 648 ñ.
- Cory Doctorow, Karl Schroeder. Complete Idiot's Guide to Publishing Science Fiction. – Ì.: , 0. – 0 ñ.
- S. Wise Bauer, Susan Wise Bauer. The Well-Educated Mind: A Guide to the Classical Education You Never Had. – Ì.: , 0. – 0 ñ.
- Denise D. Finazzo. All For The Children: Multicultural Essentials of Literature. – Ì.: , 0. – 0 ñ.
- Jeni Riley, David Reedy. Developing Writing for Different Purposes: Teaching About Genre in the Early Years. – Ì.: , 0. – 0 ñ.
- Anna Trosborg. Analysing Professional Genres (Pragmatics and Beyond, New Series, 74). – Ì.: , 0. – 0 ñ.
- Gina Frese. Dow Chemical Portrayed: A Catalog to Accompany an Exhibit at the Chemical Heritage Foundation of the Herbert H. and Grace A. Dow Foundation's Collection ... (History of Modern Chemical Sciences,). – Ì.: , 2005. – 0 ñ.
- John Bodnar. Blue-Collar Hollywood : Liberalism, Democracy, and Working People in American Film. – Ì.: , 2003. – 0 ñ.
- Revealing the Corporation: Perspectives on Identity, Image, Reputation and Corporate Branding. – Ì.: , 2003. – 0 ñ.
- Tony Midea. A Fool's Guide To Landlording. – Ì.: , 2004. – 0 ñ.
- Lindsay Amthor Yotsukura. Negotiating Moves : Problem Presentation and Resolution in Japanese Business Discourse. – Ì.: , 2003. – 0 ñ.
- Arnold Whittall. Exploring Twentieth-Century Music : Tradition and Innovation. – Ì.: , 2003. – 250 ñ.
- Eithne Quinn. Nuthin' but a "G" Thang : The Culture and Commerce of Gangsta Rap (Popular Cultures, Everyday Lives). – Ì.: , 2004. – 264 ñ.
- The Music Lover's Quotation Book. – Ì.: , 2003. – 224 ñ.
- Encyclopedia of Recorded Sound (Garland Reference Library of the Humanities). – Ì.: , 2004. – 1000 ñ.
- Steve Moore. The Truth About the Music Business: A Grassroots Business and Legal Guide. – Ì.: , 2005. – 656 ñ.
- Analyzing Popular Music. – Ì.: , 2003. – 280 ñ.
- John Kotter, Holger Rathgeber. Our Iceberg Is Melting: Changing and Succeeding Under Any Conditions. – Ì.: St. Martin's Press, 2006. – 160 ñ.
- A. Keller, Alexandra Keller. James Cameron (Routledge Film Guidebooks). – Ì.: , 2007. – 193 ñ.
- Joseph Favorito. Sports Publicity: A Practical Approach. – Ì.: Butterworth-Heinemann, 2007. – 408 ñ.
- Crawford Kilian. Writing for the Web (Self-Counsel Writing). – Ì.: , 2007. – 200 ñ.
- Emma French. Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium. – Ì.: , 2006. – 224 ñ.
- Peter Lev. The Fifties: Transforming the Screen, 1950-1959 (History of the American Cinema). – Ì.: , 2006. – 396 ñ.
- Katy McColl. Should I Do What I Love?: Or Do What I Do - So I Can Do What I Love on the Side?. – Ì.: , 2005. – 224 ñ.
- John Bodnar. Blue-Collar Hollywood. – Ì.: , 2006. – 324 ñ.
- John Braheny. The Craft and Business of Songwriting: A Practical Guide to Creating and Marketing Artistically and Commercially Successful Songs (Craft & Business of Songwriting). – Ì.: , 2006. – 400 ñ.
- Julie Codell. Genre, Gender, Race, and World Cinema. – Ì.: , 2006. – 496 ñ.
- Jeanne R. Paratore, Rachel L. McCormack. Teaching Literacy in Second Grade (Tools for Teaching Literacy). – Ì.: , 2005. – 196 ñ.
- Leo Hartas. The Art of Game Characters. – Ì.: Ilex, 2005. – 192 ñ.
- Gabriel Naughton. Chardin. – Ì.: Phaidon Press, 1996. – 128 ñ.
- Judith Collins. Sculpture Today. – Ì.: Phaidon, 2007. – 484 ñ.
- 10x10_2. – Ì.: Phaidon Press, 2005. – 464 ñ.
- Jill Walker Rettberg. Blogging. – Ì.: , 2008. – 184 ñ.
- Jill Walker Rettberg. Blogging. – Ì.: , 2008. – 184 ñ.
- Denise Bielby, C. Harrington. Global TV: Exporting Television and Culture in the World Market. – Ì.: , 2008. – 288 ñ.
- Denise Bielby, C. Harrington. Global TV: Exporting Television and Culture in the World Market. – Ì.: , 2008. – 288 ñ.
- Genre Variation in Business Letters (Linguistic Insights. Studies in Language and Communication). – Ì.: , 2008. – 407 ñ.
- Hollywood Creative Directory, 63rd Edition (Hollywood Creative Directory). – Ì.: , 2008. – 500 ñ.
- Sylvia Lafair. Don't Bring It to Work: Breaking the Family Patterns That Limit Success. – Ì.: , 2009. – 256 ñ.
- Napoleon Hill. Think and Grow Rich: The No.1 Selling Book of the Century on Personal Wealth and Lasting Success. – Ì.: , 2010. – 238 ñ.
- Caner Dincer. La Musique dans l'E-publicite: l'Effet de la Musique dans les Bannieres Publicitaires sur Internet (French Edition). – Ì.: , 2010. – 312 ñ.
- John Rothchild. A Fool and His Money. – Ì.: , 1998. – 272 ñ.
- David Herman. Story Logic: Problems and Possibilities of Narrative. – Ì.: University of Nebraska Press, 2002. – 478 ñ.
- David Fishelov. Metaphors of Genre: The Role of Analogies in Genre Theory. – Ì.: Pennsylvania State University Press, 1989. – 188 ñ.
- Felicity O'Dell, Annie Broadhead. Objective CAE Student's Book. – Ì.: Cambridge University Press, 2002. – 208 ñ.
- Hester Lott. Real English Grammar: Intermediate (+ CD). – Ì.: Marshall Cavendish Academic, 2005. – 304 ñ.
- Jeremy Harmer. How to Teach Writing. – Ì.: Pearson ESL, 2004. – 160 ñ.
- Philip Kerr, Sue Kay, Vaughan Jones. Inside Out: Pre-intermediate: Workbook with Key (+ CD-ROM). – Ì.: Macmillan Education, 2003. – 96 ñ.
- Audrey Erskine Lindop, Liz Driscoll. The Singer Not the Song (New Wave Readers) (New Wave Readers). – Ì.: , 1986. – 32 ñ.
- Jeremy Harmer, Carol Lethaby. Just Right: Workbook with Answer Key. – Ì.: Marshall Cavendish, 2005. – 128 ñ.
- Denis Delaney, Ciaran Ward, Carla Rho Fiorina. Fields of Vision: Volume 1. – Ì.: Longman, 2009. – 464 ñ.
- Philip Kerr, Sue Kay, Vaughan Jones. Inside 0ut: Workbook Without Key (+ CD-ROM). – Ì.: Macmillan Education, 2004. – 96 ñ.
- Kenneth Borris. Allegory and Epic in English Renaissance Literature: Heroic Form in Sidney, Spenser, and Milton. – Ì.: , 2009. – 332 ñ.
- A History of Korean Literature. – Ì.: , 2009. – 656 ñ.
- Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – Ì.: , 2009. – 235 ñ.
- Brian Paltridge. Discourse Analysis: An Introduction. – Ì.: Continuum, 2007. – 244 ñ.
- Felicity O'Dell, Annie Broadhead. Objective CAE Workbook. – Ì.: Cambridge University Press, 2008. – 96 ñ.
- Missy James, Alan P Merickel. Reading Literature and Writing Argument (4th Edition). – Ì.: , 2010. – 704 ñ.
- Andreas Capellanus. The Art of Courtly Love. – Ì.: , 2010. – 288 ñ.
- A Companion to Roman Rhetoric (Blackwell Companions to the Ancient World). – Ì.: , 2010. – 544 ñ.
- John Scalzi. The Rough Guide to Sci-Fi Movies. – Ì.: Rough Guides, 2005. – 336 ñ.
- Tom Ang. The Complete Photographer. – Ì.: Äîðëèíã Êèíäåðñëè, 2010. – 400 ñ.
- Science Fiction Stories. – Ì.: Macmillan Education, 2009. – 200 ñ.
- Love Stories. – Ì.: Macmillan Education, 2009. – 192 ñ.
- Greg Myers. The Discourse of Blogs and Wikis. – Ì.: Continuum, 2011. – 192 ñ.
- Marilyn Webber. Gardner's Guide to Television Scriptwriting: The Writer's Road Map. – Ì.: Garth Gardner Company, 2002. – 288 ñ.
- J. A. Cuddon. Dictionary of Literary Terms and Literary Theory. – Ì.: Penguin Books Ltd., 1999. – 1024 ñ.
- Herbert Spencer. Pioneers of Modern Typography : Revised Edition. – Ì.: , 2004. – 164 ñ.
- Jeanine Basinger. The World War II Combat Film: Anatomy of a Genre. – Ì.: , 2003. – 372 ñ.
- Larry Brody. Television Writing from the Inside Out : Your Channel to Success. – Ì.: Applause Books, 2003. – 350 ñ.
- David Herman. Narrative Theory and the Cognitive Sciences (Center for the Study of Language and Information - Lecture Notes). – Ì.: Center for the Study of Language and Inf, 2003. – 336 ñ.
- Wayne Franits. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. – Ì.: Yale University Press, 2004. – 328 ñ.
- David Herman. Narrative Theory and the Cognitive Sciences (Center for the Study of Language and Information - Lecture Notes). – Ì.: Center for the Study of Language and Inf, 2003. – 336 ñ.
- Espen J. Aarseth. Cybertext: Perspectives on Ergodic Literature. – Ì.: The Johns Hopkins University Press, 1997. – 216 ñ.
- David C. Rubin. Memory in Oral Traditions: The Cognitive Psychology of Epic, Ballads, and Counting-out Rhymes. – Ì.: Oxford University Press, 2002. – 400 ñ.
- John Frow. Genre. – Ì.: Routledge, 2005. – 172 ñ.
- Clay Spinuzzi. Tracing Genres Through Organizations – A Sociocultural Approach to Information Design. – Ì.: , 2003. – 264 ñ.
- M Bal. Murder & Difference – Gender, Genre, & Scholarship on Siser?s Death. – Ì.: , 1988. – 160 ñ.
- LS Mumford. Love & Ideology in the Afternoon – Soap Opera, Women & Television Genre (Paper). – Ì.: , 1995. – 176 ñ.
- R.–j Berg. A la Rencontre du Cinema Francais – Analyse, genre, histoire. – Ì.: , 2010. – 336 ñ.
- Conte. Genres and Readers. – Ì.: , 1993. – 0 ñ.
- Mary Poovey. Genres of the Credit Economy – Mediating Value in Eighteenth – and Nineteenth – Century Britian. – Ì.: , 2008. – 496 ñ.
- Bk Lewalski. Renaissance Genres – Essays on Theory History & Interpretation (Paper). – Ì.: , 1986. – 512 ñ.
- Bk Lewalski. Renaissance Genres – Essays on Theory History & Interpretation. – Ì.: , 1986. – 512 ñ.
- A FOWLER. Fowler: ?kinds? Of ?literature?: An Introduction T O Theory Of Genres & Modes (paper). – Ì.: , 1986. – 368 ñ.
- A FOWLER. Fowler: ?kinds? Of ?literature?: An Introduction T O Theory Of Genres & Modes (cloth). – Ì.: , 1982. – 368 ñ.
- Irmela Hijiya–kirschne. Rituals of Self–Revelation – Shishosetsu as Literary Genre & Socio–Cultural Phenomenon. – Ì.: , 1996. – 298 ñ.
- Jennifer Lena. Arranging Music – The Sociology of Genre. – Ì.: , 2012. – 0 ñ.
- Jeffrey Kallberg. Chopin at the Boundaries – Sex, History & Musical Genre (Paper). – Ì.: , 1998. – 306 ñ.
- Jeffrey Kallberg. Chopin at the Boundaries – Sex, History & Musical Genre. – Ì.: , 1996. – 316 ñ.
- Nick Browne. Refiguring American Film Genres – Theory & History (Paper). – Ì.: , 1998. – 342 ñ.
- Laszlo Somfai. The Keyboard Sonatas of Joseph Haydn – Instruments and Performance Practice, Genres and Styles. – Ì.: , 2010. – 416 ñ.
- Robert Spadoni. Uncanny Bodies – The Coming of Sound Film and the Origins of the Horror Genre. – Ì.: , 2007. – 208 ñ.
- Robert Spadoni. Uncanny Bodies – The Coming of Sound Film and the Origins of the Horror Genre. – Ì.: , 2007. – 208 ñ.
- Ellen Rosand. Opera in Seventeenth–Century Venice – The Creation of a Genre. – Ì.: , 2007. – 710 ñ.
- Wayne Franits. Dutch Seventeenth–Century Genre Painting – In Stylistic and Thematic Evolution. – Ì.: , 2008. – 320 ñ.
- Mark Salber Phillips. Society & Sentiment – Genres of Historical Writing in Britain 1740–1820. – Ì.: , 2000. – 390 ñ.
- Matt Bloom. Society & Sentiment – Genres of Historical Writing in Britain 1740–1820. – Ì.: , 2005. – 224 ñ.
- Mary Depew. Matrices of Genre – Authors, Canons & Society. – Ì.: , 2001. – 352 ñ.
- Carolyn Williams. Gilbert and Sullivan – Gender, Genre, Parody. – Ì.: , 2010. – 480 ñ.
- Alice Deignan, Jeannette Littlemore, Elena Semino. Figurative Language, Genre and Register. – Ì.: Cambridge University Press, 2013. – 344 ñ.
- Alice Deignan, Jeannette Littlemore, Elena Semino. Figurative Language: Genre and Register. – Ì.: Cambridge University Press, 2013. – 344 ñ.
- Sean McCallon. A Rhetorical Genre Study of Pro-Wrestling. – Ì.: LAP Lambert Academic Publishing, 2010. – 76 ñ.
- Anneke Hobson. "Breaking the Land:" Genres of Planting in The Faerie Queene. – Ì.: LAP Lambert Academic Publishing, 2012. – 144 ñ.
- Darren Ingram. Throwing Shadows on the Wall; Understanding the Documentary as Genre. – Ì.: LAP Lambert Academic Publishing, 2014. – 56 ñ.
- Baglan Bazylova. Typology of Genre of Literary Portraits. – Ì.: LAP Lambert Academic Publishing, 2012. – 84 ñ.
- Zhila Balegh. Genre Analysis of the "Op- Ed" Section of English Language Newspapers. – Ì.: LAP Lambert Academic Publishing, 2013. – 92 ñ.
- Mohammed Al-Ali. Genre, Schema, and the Academic Writing Process. – Ì.: LAP Lambert Academic Publishing, 2012. – 296 ñ.
- Geetanjali S. Mankotia. Problem of Genre in Dostoievsky's the Diary of a Writer. – Ì.: LAP Lambert Academic Publishing, 2012. – 88 ñ.
- Shahabaddin Behtary and Mehran Davaribina. Genre Variation and Reading Comprehension. – Ì.: LAP Lambert Academic Publishing, 2013. – 140 ñ.
- Ang Bethany Ee Wei. Genre Literacy: Where's the Why and Who?. – Ì.: LAP Lambert Academic Publishing, 2011. – 72 ñ.
- Farzaneh Khodabandeh. Examination of Three Instructional Treatments of Genre-based Approach. – Ì.: Scholars' Press, 2014. – 292 ñ.
- Marina Santini. Automatic Identification of Genre in Web Pages. – Ì.: LAP Lambert Academic Publishing, 2011. – 332 ñ.
- Lu Lu. Metadiscourse and Genre Learning. – Ì.: LAP Lambert Academic Publishing, 2012. – 504 ñ.
Äîïîëíèòåëüíûå ðåçóëüòàòû- Roger Sabin. Comics, Comix and Graphic Novels: A History of Comic Art. – Ì.: , 2001. – 240 ñ.
- Napoleon Hill. Think and Grow Rich. – Ì.: , 2012. – 238 ñ.
- Brian Jeffries. How to Start a Record Label (Volume 1). – Ì.: , 2012. – 34 ñ.
- William C. Byham, Jeff Cox. Heroz: Empower Yourself, Your Coworkers, Your Company. – Ì.: , 0. – 0 ñ.
- Charles Decker. Lessons from the Hive : The Buzz on Surviving and Thriving in an Ever-Changing Workplace. – Ì.: , 0. – 0 ñ.
- Catherine Nickerson. Playing The Corporate Language Game. An investigation of the genres and discourse strategies in English used by Dutch writers working in multinational corporations. (Utrecht Studies in Language and Communication 15). – Ì.: , 0. – 0 ñ.
- Robert G. Allen. Multiple Streams of Internet Income. – Ì.: Wiley, 2001. – 288 ñ.
- Raising Entrepreneurial Capital. – Ì.: , 0. – 0 ñ.
- Barbara Czarniawska. Narrating the Organization: Dramas of Institutional Identity (New Practices of Inquiry). – Ì.: , 0. – 0 ñ.
- Andrew Rollings, Ernest Adams. Andrew Rollings and Ernest Adams on Game Design. – Ì.: New Riders Games, 2003. – 648 ñ.
- Cory Doctorow, Karl Schroeder. Complete Idiot's Guide to Publishing Science Fiction. – Ì.: , 0. – 0 ñ.
- S. Wise Bauer, Susan Wise Bauer. The Well-Educated Mind: A Guide to the Classical Education You Never Had. – Ì.: , 0. – 0 ñ.
- Denise D. Finazzo. All For The Children: Multicultural Essentials of Literature. – Ì.: , 0. – 0 ñ.
- Jeni Riley, David Reedy. Developing Writing for Different Purposes: Teaching About Genre in the Early Years. – Ì.: , 0. – 0 ñ.
- Anna Trosborg. Analysing Professional Genres (Pragmatics and Beyond, New Series, 74). – Ì.: , 0. – 0 ñ.
- Gina Frese. Dow Chemical Portrayed: A Catalog to Accompany an Exhibit at the Chemical Heritage Foundation of the Herbert H. and Grace A. Dow Foundation's Collection ... (History of Modern Chemical Sciences,). – Ì.: , 2005. – 0 ñ.
- John Bodnar. Blue-Collar Hollywood : Liberalism, Democracy, and Working People in American Film. – Ì.: , 2003. – 0 ñ.
- Revealing the Corporation: Perspectives on Identity, Image, Reputation and Corporate Branding. – Ì.: , 2003. – 0 ñ.
- Tony Midea. A Fool's Guide To Landlording. – Ì.: , 2004. – 0 ñ.
- Lindsay Amthor Yotsukura. Negotiating Moves : Problem Presentation and Resolution in Japanese Business Discourse. – Ì.: , 2003. – 0 ñ.
- Arnold Whittall. Exploring Twentieth-Century Music : Tradition and Innovation. – Ì.: , 2003. – 250 ñ.
- Eithne Quinn. Nuthin' but a "G" Thang : The Culture and Commerce of Gangsta Rap (Popular Cultures, Everyday Lives). – Ì.: , 2004. – 264 ñ.
- The Music Lover's Quotation Book. – Ì.: , 2003. – 224 ñ.
- Encyclopedia of Recorded Sound (Garland Reference Library of the Humanities). – Ì.: , 2004. – 1000 ñ.
- Steve Moore. The Truth About the Music Business: A Grassroots Business and Legal Guide. – Ì.: , 2005. – 656 ñ.
- Analyzing Popular Music. – Ì.: , 2003. – 280 ñ.
- John Kotter, Holger Rathgeber. Our Iceberg Is Melting: Changing and Succeeding Under Any Conditions. – Ì.: St. Martin's Press, 2006. – 160 ñ.
- A. Keller, Alexandra Keller. James Cameron (Routledge Film Guidebooks). – Ì.: , 2007. – 193 ñ.
- Joseph Favorito. Sports Publicity: A Practical Approach. – Ì.: Butterworth-Heinemann, 2007. – 408 ñ.
- Crawford Kilian. Writing for the Web (Self-Counsel Writing). – Ì.: , 2007. – 200 ñ.
- Emma French. Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium. – Ì.: , 2006. – 224 ñ.
- Peter Lev. The Fifties: Transforming the Screen, 1950-1959 (History of the American Cinema). – Ì.: , 2006. – 396 ñ.
- Katy McColl. Should I Do What I Love?: Or Do What I Do - So I Can Do What I Love on the Side?. – Ì.: , 2005. – 224 ñ.
- John Bodnar. Blue-Collar Hollywood. – Ì.: , 2006. – 324 ñ.
- John Braheny. The Craft and Business of Songwriting: A Practical Guide to Creating and Marketing Artistically and Commercially Successful Songs (Craft & Business of Songwriting). – Ì.: , 2006. – 400 ñ.
- Julie Codell. Genre, Gender, Race, and World Cinema. – Ì.: , 2006. – 496 ñ.
- Jeanne R. Paratore, Rachel L. McCormack. Teaching Literacy in Second Grade (Tools for Teaching Literacy). – Ì.: , 2005. – 196 ñ.
- Leo Hartas. The Art of Game Characters. – Ì.: Ilex, 2005. – 192 ñ.
- Gabriel Naughton. Chardin. – Ì.: Phaidon Press, 1996. – 128 ñ.
- Judith Collins. Sculpture Today. – Ì.: Phaidon, 2007. – 484 ñ.
- 10x10_2. – Ì.: Phaidon Press, 2005. – 464 ñ.
- Jill Walker Rettberg. Blogging. – Ì.: , 2008. – 184 ñ.
- Jill Walker Rettberg. Blogging. – Ì.: , 2008. – 184 ñ.
- Denise Bielby, C. Harrington. Global TV: Exporting Television and Culture in the World Market. – Ì.: , 2008. – 288 ñ.
- Denise Bielby, C. Harrington. Global TV: Exporting Television and Culture in the World Market. – Ì.: , 2008. – 288 ñ.
- Genre Variation in Business Letters (Linguistic Insights. Studies in Language and Communication). – Ì.: , 2008. – 407 ñ.
- Hollywood Creative Directory, 63rd Edition (Hollywood Creative Directory). – Ì.: , 2008. – 500 ñ.
- Sylvia Lafair. Don't Bring It to Work: Breaking the Family Patterns That Limit Success. – Ì.: , 2009. – 256 ñ.
- Napoleon Hill. Think and Grow Rich: The No.1 Selling Book of the Century on Personal Wealth and Lasting Success. – Ì.: , 2010. – 238 ñ.
- Caner Dincer. La Musique dans l'E-publicite: l'Effet de la Musique dans les Bannieres Publicitaires sur Internet (French Edition). – Ì.: , 2010. – 312 ñ.
- John Rothchild. A Fool and His Money. – Ì.: , 1998. – 272 ñ.
- David Herman. Story Logic: Problems and Possibilities of Narrative. – Ì.: University of Nebraska Press, 2002. – 478 ñ.
- David Fishelov. Metaphors of Genre: The Role of Analogies in Genre Theory. – Ì.: Pennsylvania State University Press, 1989. – 188 ñ.
- Felicity O'Dell, Annie Broadhead. Objective CAE Student's Book. – Ì.: Cambridge University Press, 2002. – 208 ñ.
- Hester Lott. Real English Grammar: Intermediate (+ CD). – Ì.: Marshall Cavendish Academic, 2005. – 304 ñ.
- Jeremy Harmer. How to Teach Writing. – Ì.: Pearson ESL, 2004. – 160 ñ.
- Philip Kerr, Sue Kay, Vaughan Jones. Inside Out: Pre-intermediate: Workbook with Key (+ CD-ROM). – Ì.: Macmillan Education, 2003. – 96 ñ.
- Audrey Erskine Lindop, Liz Driscoll. The Singer Not the Song (New Wave Readers) (New Wave Readers). – Ì.: , 1986. – 32 ñ.
- Jeremy Harmer, Carol Lethaby. Just Right: Workbook with Answer Key. – Ì.: Marshall Cavendish, 2005. – 128 ñ.
- Denis Delaney, Ciaran Ward, Carla Rho Fiorina. Fields of Vision: Volume 1. – Ì.: Longman, 2009. – 464 ñ.
- Philip Kerr, Sue Kay, Vaughan Jones. Inside 0ut: Workbook Without Key (+ CD-ROM). – Ì.: Macmillan Education, 2004. – 96 ñ.
- Kenneth Borris. Allegory and Epic in English Renaissance Literature: Heroic Form in Sidney, Spenser, and Milton. – Ì.: , 2009. – 332 ñ.
- A History of Korean Literature. – Ì.: , 2009. – 656 ñ.
- Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre. – Ì.: , 2009. – 235 ñ.
- Brian Paltridge. Discourse Analysis: An Introduction. – Ì.: Continuum, 2007. – 244 ñ.
- Felicity O'Dell, Annie Broadhead. Objective CAE Workbook. – Ì.: Cambridge University Press, 2008. – 96 ñ.
- Missy James, Alan P Merickel. Reading Literature and Writing Argument (4th Edition). – Ì.: , 2010. – 704 ñ.
- Andreas Capellanus. The Art of Courtly Love. – Ì.: , 2010. – 288 ñ.
- A Companion to Roman Rhetoric (Blackwell Companions to the Ancient World). – Ì.: , 2010. – 544 ñ.
- John Scalzi. The Rough Guide to Sci-Fi Movies. – Ì.: Rough Guides, 2005. – 336 ñ.
- Tom Ang. The Complete Photographer. – Ì.: Äîðëèíã Êèíäåðñëè, 2010. – 400 ñ.
- Science Fiction Stories. – Ì.: Macmillan Education, 2009. – 200 ñ.
- Love Stories. – Ì.: Macmillan Education, 2009. – 192 ñ.
- Greg Myers. The Discourse of Blogs and Wikis. – Ì.: Continuum, 2011. – 192 ñ.
- Marilyn Webber. Gardner's Guide to Television Scriptwriting: The Writer's Road Map. – Ì.: Garth Gardner Company, 2002. – 288 ñ.
- J. A. Cuddon. Dictionary of Literary Terms and Literary Theory. – Ì.: Penguin Books Ltd., 1999. – 1024 ñ.
- Herbert Spencer. Pioneers of Modern Typography : Revised Edition. – Ì.: , 2004. – 164 ñ.
- Jeanine Basinger. The World War II Combat Film: Anatomy of a Genre. – Ì.: , 2003. – 372 ñ.
- Larry Brody. Television Writing from the Inside Out : Your Channel to Success. – Ì.: Applause Books, 2003. – 350 ñ.
- David Herman. Narrative Theory and the Cognitive Sciences (Center for the Study of Language and Information - Lecture Notes). – Ì.: Center for the Study of Language and Inf, 2003. – 336 ñ.
- Wayne Franits. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. – Ì.: Yale University Press, 2004. – 328 ñ.
- David Herman. Narrative Theory and the Cognitive Sciences (Center for the Study of Language and Information - Lecture Notes). – Ì.: Center for the Study of Language and Inf, 2003. – 336 ñ.
- Espen J. Aarseth. Cybertext: Perspectives on Ergodic Literature. – Ì.: The Johns Hopkins University Press, 1997. – 216 ñ.
- David C. Rubin. Memory in Oral Traditions: The Cognitive Psychology of Epic, Ballads, and Counting-out Rhymes. – Ì.: Oxford University Press, 2002. – 400 ñ.
- Elizabeth Tonkin. Narrating Our Pasts: The Social Construction of Oral History. – Ì.: Cambridge University Press, 1995. – 186 ñ.
- Esther C. M. Yau. At Full Speed: Hong Kong Cinema in a Borderless World. – Ì.: University of Minnesota Press, 2001. – 342 ñ.
- Maureen Quilligan. The Language of Allegory: Defining the Genre. – Ì.: Cornell Univ Pr, 1992. – 412 ñ.
- Dominique Mainon, James Ursini. The Modern Amazons : Warrior Women on Screen. – Ì.: Limelight Editions, 2006. – 400 ñ.
- David Herman. The Cambridge Companion to Narrative. – Ì.: Cambridge University Press, 2007. – 328 ñ.
- John Frow. Genre. – Ì.: Routledge, 2005. – 172 ñ.
- Clive Thompson. The Best of Technology Writing 2008. – Ì.: , 2008. – 272 ñ.
- John Tait. Why the Egyptians Wrote Books (University College London Institute of Archaeology Publications). – Ì.: , 2008. – 256 ñ.
- Rick Snoman. Dance Music Manual (+ CD-ROM). – Ì.: Focal Press, Elsevier, 2008. – 544 ñ.
- Edited by Emmanuel S. Nelson. The Greenwood Encyclopedia of Multiethnic American Literature (êîìïëåêò èç 5 êíèã). – Ì.: Greenwood Press, 2009. – 2528 ñ.
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Ëó÷øèå ðåçóëüòàòûÍè÷åãî íå íàéäåíîÄîïîëíèòåëüíûå ðåçóëüòàòûÍè÷åãî íå íàéäåíîÇàäàéòå ñâîé âîïðîñ ïî âàøåé òåìå
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